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Stephen King often mix phantasy or magical realism into his horror , and the two writing style are a amazingly close fit . The Shiningfelt like strictly paranormal revulsion , rather than unlimited fantasy . But its sequel welcomes an flakey , yet effective conceit of vampiric drifters . Alongside a visually modernized sensitiveness , Rose and her company distanceDoctor Sleepfrom its precursor .

However , there ’s still plenty of rooter service , and the aroused mental object still feels ground . Particularly with Ewan McGregor ’s convincing , assured performance . Most importantly , it is a story that pull in its creation . This left most audiences satisfied , and wanting more . So , here ’s some fantasy - horror that will quench that thirstiness with similar mental imagery , drama and style .

The Mothman Prophecies

This is a surprisingly atmospherical , dramatic take on a truly fantastical legend . The sense of mystery riddle the entire pic , which anchor throughout by brokenheartedness . The myth of the Mothman itself is innately intriguing , tied into disaster and catastrophe . The alleged sightings and outre nature of the tool make for some interesting , dreamlike imagination .

Its unsettling presence is joined by a sense of impending day of reckoning , regarding an actual tragedy , which supply suspense but may   upset some . The film actually discusses the paranormal in general , include skepticism and its excited effect . Richard Gere is n’t quite up to carrying the film , but the brooding , eerie tale is certainly captivating enough .

Bram Stoker’s Dracula

Francis Ford Coppola changes dramatic gears for this smoky , Hammer horror take on the age - quondam vampire tale . More so than mostDraculafilms , this rendition welcomes elements of fantasy . Incongruent shadows , a lycanthrope shape and unsettling gender make for a disturbing , arthouse horror film , which will doubtless please fan of Danny Torrance .

Coppola ’s cast is generally solid , bar Keanu Reeves ’ notorious speech pattern . Gary Oldman thrives in chewing his scene , but never lose the sense of pathos . Surprisingly , it is a deeply quixotic film in every sense , and that include its stunning visuals , which radiate with personality .

Phantasm

This is far more of a repulsion film , with strikingly way-out double and concepts . It is more akin to magical realism , wherein another universe is impeding on our own . The Tall Man is a magnetic villain thanks to Angus Scrimm ’s menacing frame and operation .

His mysterious agenda and antic methods make for a truly frightening mystery , much like Rose and her vampire . Further , the Tall Man ’s minion are every bit disconcerting , despite their likeness toStar Wars’Jawas . Much of the repugnance is effective by see-through strangeness , admit volatility . That metallic globe - weapon alone is worth the terms of admission price .

A Nightmare On Elm Street (1984)

Turning the slasher genre on its head , the mere concept of Freddy Krueger open up phantasy . And while his one - liners at long last cede to staring giddiness , Robert Englund ’s electric performance is always likable . Where the dream have real weight in reality , this series conjures up some devastating , creative repulsion sequences .

fall down at rest is inevitable , its privation confuse world , and nightmares are limitless . The result unbridled imagination is the series ’ most appealing characteristic . True , A Nightmare on Elm Streetis much gorier , and perhaps less thematically ample thanDoctor nap . But it ’s for sure an entertaining portmanteau of horror and fantasy , serve up advanced part of each .

Hellraiser

Pinhead is an ikon himself , but this is just a established slasher film . It is quite unlike most horror movies , with a strangeness that only Clive Barker and the 80 ’s can provide . The plot of ground itself go around around a flakey afterlife that involves awful , sadistic punishment . With themes of sadomasochism and unfaithfulness , this original moving picture spawn countless deficient sequels .

The mythology of this film is very copious , but the story also search every square in , leaving piddling room for more . The special burden are gripping and delightfully repulsive . The performances can be somewhat lacking , but they are merely an federal agent for Barker ’s mad virtuoso , anyhow .

Pan’s Labyrinth

Guillermo Del Toro has craft some of the most powerful phantasy films ever made . This is due to the verity in his fictional character , which always strand his detailed realization of magical phenomenon . Further , he is willing to dive into the revulsion of humanity itself . Most often , the worst threat is hardly supernatural , but human in nature .

And that undeniable truth , here taking the form of a civil war and the protagonist ’s ruthless stepfather , reinforces the traditional intent of parables . This is a deeply poignant , terrifying photographic film with sensational effects and performances . Del Toro ’s deft bridge player draw up a unfeignedly immersive humans , which bolsters every import of suspense and pathos .

In The Mouth Of Madness

This movie plays the with child hits of H.P. Lovecraft without actually adjust his works . or else , it pays unvarying homage to his sensibilities , and Lovecraftian stories are enduring examples of repulsion and fantasy . But this film also feels like a nod to Stephen King , who indulged a ego - aware cogitation of horror fable and its fans withMisery .

aim by John Carpenter himself , this selection also stars Sam Neill , a make headway combination for intensify doses of surreal bang . Reality step by step folds in on itself with meta references and striking twists . luckily , Neill is up to the undertaking of play both the uncoiled man and convincing insanity .

Eraserhead

David Lynch exert the phantasmagorical as a psychological arm unlike anyone else . His imagination is so taking , so creative and provocative , it is both addicting and frustrating . His bluff floor of artistry was made instantly clean-cut in this debut feature , which set up nearly all of his compelling technique at once .

His black - and - white , hair-raising world is repulsive and upsetting at will , with sincerely novel and magnetise iconography . While Lynch ’s style may be tedious for some casual viewers , those seeking out fantasy and repugnance need look no further . This is a patient role , challenging cinema that transcends genre and even film itself .

Poltergeist (1982)

Doctor Sleepis ultimately a very entertaining film , so there is every reason for fans to revisit this Spielbergian classic . Poltergeistincorporated far more phantasy than repugnance , with substitute dimensions , living trees and melting human face . It ’s less concerned with actual extrasensory activity , as modern audiences have come to require . Aside from the controversial skeletons in the close , the effects are nifty and memorable .

The interruption of suburbia may be dated now , as are certain other trait . But the moving picture surprisingly holds up thanks to artistic verve , a gifted cast , and inventive surrealism . ground by center on a household , the movie even reference a burial mound as the extrasensory culprit , just likeThe Shining .

It (2017)

This may be unsurprising , but obligatory . And not just because it is another work of Stephen King . There is simply no denying the mundanity and effectiveness of 2017’shit adaptation   of King ’s elephantine novel . The less espouse - up suffers from a largely differ tone , heavy CGI and retreaded scares . But this first entry is a bold piece of repugnance , which is more interested in oppressive humans , rather than Pennywise .

or else , the clown serve as a substitute for the kids ’ substantial problems , the lose ingredient from chapter two . The adults here are all revolting , and the bully is horrifyingly reliable . This film subverts the expectation of horror , make it more accessible than most moving-picture show in the genre . But it is also a purist ’s dream , with just the right balance of fidelity , personality and surprisal .

NEXT : IT:10 thing You Did n’t recognise About Stephen King ’s Original Masterpiece

IT Movie 2017 Poster

JoBeth Williams in Poltergeist 1982

the mothman prophecies

Dracula in a red gown in Bram Stoker’s Dracula

Angus Scrimm in Phantasm II

A Nightmare on Elm Street promo with Freddy and Nancy.

Pinhead from the original Hellraiser snarling at the viewer

An image of the Pale Man being woken up in Pans Labyrinth

Sam Neill looking at a movie screen in In The Mouth Of Madness (1994)

Eraserhead creepy baby David Lynch

The Clown Doll about to attack Robbie (Oliver Robins) in Poltergeist.

The Losers Club looks up in the sewers in IT

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