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Ah the ' 80s , the Golden Age of action films , when explosions were braggy , guitar riffs louder , and the gentle tinkling of heater casings keep abreast every one - lining . With restriction lifted on the consumption of profanity , violence , and nudity in cinema , the spunky urban criminal offence thrillers of the ' LXX likeBullittandDirty Harrysoared in popularity . When they were conflate with the martial arts films coming out of Hong Kong , the way of life was pave for the ' LXXX action era .
By the time the ' 80s blast into existence , the megahit had already been created withStar WarsandJaws . It was only of course that Spielberg and Lucas would produce one of the first bona - fide action flicks of the ' 80s , Raiders of the Lost Arkin 1981 . 1982 sawRambo : First Blood , and ' 84 saw the beginning of theTerminatorfranchise . With forward motion in CGI , the natural action photographic film of the ' 90s had the biggest budget of any genre in movie history . Lets take a smell back at 10 authoritative action films and see how they ’ve aged since their flower .
ROBIN HOOD: PRINCE OF THIEVES (1991)
At the metre it was made in the early ' 90s , audiences moderately much knew what they were in for with Kevin Costner ’s translation of the Robin Hood myth ; Costner would be the star and live the film with some of the finest thespian he could deal in an effort to make him seem suitable , and then he would be upstaged by them in every scene .
In many deference , RobinHood : Prince of Thievesis not unlike 2018’sRobin Hood- both are mistily anachronistic , not bothered by historical truth , and joy in elan over the substance . While Costner ’s English emphasis is atrocious , without it , we would n’t have gottenAlan Rickman ’s excellent Sheriff of Nottingham , that Brian Adams Sung dynasty and most importantly , Robin Hood : Men In Tights .
BLADE RUNNER (1982)
For its clock time , Ridley Scott’sBlade Runnerwas a masterful scientific discipline fabrication neo - noir , providing deep cinematic introspection from the work of Philip K. Dick . Harrison Ford play Decker , a " blade moon curser " tasked with tracking down four synthetic humans that went rapscallion , discovering more about himself and humanity as the film progresses .
While we ’re reply what it means to be more human than human , we ’re exposed to the year 2019 in all its rain - soaked , neon glory . manifestly we do n’t really have computers yet , but we have video schmooze . These days , the blatant use of mat picture , the out - dated technical school , and the hulky sign reminding us that Atari is no more threaten to fleece this film of its ill fame .
INDIANA JONES & THE TEMPLE OF DOOM (1984)
The 2nd film in the Indiana Jones series of films and considered the worst of the franchise , Indiana Jones and the Temple of Doombecomes less and less watchable as sentence run on . Its incessant habit of blatant racist stereotypesbegins the bit the film opens when Indy finds himself in a Taiwanese hideout of shabbiness .
It ’s not just the two - dimensional Chinese gangsters that mar the film , it ’s the way Short Round is depict , the Native American villagers , and the Thuggee Cult . And if that were n’t enough , there ’s Kate Capshaw ’s mewling performance that somehow seems worse than being caught in a room full of spikes slowly closing in on you .
CLIFFHANGER (1993)
Cliffhangerhas got to be one of the mostStalloniest Stallone moviesin existence . Naturally , he play an anguished veterinary just essay to put his uncollectible past times behind him , operating as a passel recoverer to do good and keep his demons at bay . When he rescue a group of survivor following a plane wreck in the Rockies , he on the spur of the moment finds himself divvy up with a group of criminals after cash .
Stallone is n’t about to help them find their $ 100 million ( no small chunk of alteration in ' 93 ) , so he ’s going to survive in the freezing temperature in a cut - off , after falling from ridiculous heights , getting in fights , and fall through ice . The movie could never be taken seriously , but you’re able to watch it today for the still - stunning cinematography .
ROBOCOP (1987)
The blending of valet de chambre and automobile inRobocopalways seemed a small bit like aTerminatorrip off , but we went along with it because Peter Weller was Buckaroo Banzai and evidently involving him in another sci - fi adventure was go to guarantee butts in seats .
However , taking a foresighted operose feel at the cyborg - centered film decade later , it ’s impossible to look past the rearing drug use , the horrific treatment of literally any distaff character onscreen , and of course the gratuitous gore . Paul Verhoeven was doing his best to satirize the genre and examine the role of tech and the misuse of power , which he arguably did to better effectuate withStarship Troopersa decade subsequently .
GOLDENEYE (1995)
Goldeneyeremains one of the best contribution to the James Bond franchise , and the best of Pierce Brosnan ’s four Bond cinema . Brosnan beguile everything that made Bond an iconic Hero of Alexandria - charm , wit , and insensate efficiency under fire . The plastic film itself boasted some ( for the sentence ) outstanding especial issue , cinematography , and gun - fu .
Unfortunately , as we look back on a moving picture that also inspire a not - undistinguished video game of the same name , we see that for all its slick cool factor , there are scenes that make it just as nerdy and lame as anything else from the mid-’90s . Like the prospect where Natalia stroll into a data processor store and rattles off some digital jargon that is utterly cringe - worthy .
THE FAST & THE FURIOUS (2001)
Fifteen days and seven films in , The Fast and the Furiousfranchise is a juggernaut of high stake , mellow pep pill chases , and high rolling . It ’s nothing but exotic cars soar between construction and out of airplanes , load with the latest tech and beautiful people .
Revisiting the original film , however , prompt us the humble roots the series come from . The Fast and the Furiousincluded cars withfloppy diskstricked out with Playstation 2 ’s , as well as a very localized plot about hijacking a hand truck full of explosives .
MISSION: IMPOSSIBLE (1996)
Like other franchises that have endure from the ' 90s through the ' 10s , when the New Millennium brought the sweeping wings of change from the analog to the digital , Mission : Impossiblehas both the blessings and the curse of its origins . This is specially spectacular when Ethan Hunt and the rest of the spies of the film enfranchisement flow around manically with the " latest tech " .
What ’s ironical about the film now is that these first-rate undercover agent ' formerly body politic - of - the - art tech is now tired , and everyone ’s grandmother with an Alexa can basically do what Hunt does with a piffling ingenuity . There ’s modems , and net access only potential by typewrite into the " net link , " and used a floppy disc with 230 MB , aka the eq of the first three minutes of the film .
TOP GUN (1986)
Once upon a fourth dimension , F-14 Tomcat ’s ruled the skies , guitar solo were still coolheaded in songs , and a crew of guys play volleyball game on the beach was the innocent pastime of fighter fender in America . Top Gunepitomized the breezy confidence of testosterone in the ' 80s , which had n’t a charge in the world and was veracious about everything .
There ’s a lot of things about the filmthat do n’t hold up today , from the technical school , to Iceman ’s frosted tips , but one of the most flagrant violations of conduct has to be when Tom Cruise ’s Maverick follows a cleaning lady into the adult female ’s restroom postulate her attention . She ’d later be his teacher , and nothing about their kinship would ameliorate .
BATMAN (1989)
To many Batman fans out there , Tim Burton ’s 1989Batmanis the authoritative reading of the Batman storyline . It includes the first live - action limning of Batman to include his orphan stock story , a concept created by Frank Miller for theDark Knight Returnscomic Word of God plot line in the mid-’80s . Prior to that , all lover had was the campy Adam West version from the ' 60s .
As great as Tim Burton ’s fine art counseling is , and as engaging as Michael Keaton and Jack Nicholson are as Batman and Joker respectively , there have been so many other iterations of the Caped Crusader(Batman Beginsbeing a fundamental one ) at this percentage point that the film no longer holds the same exercising weight it used to .
NEXT : Rocky : 10 Things That Have n’t Aged Well
