Related
Martin Scorseseis one of the most prolific and recognizable living American filmmakers over the last 50 years . Like every other movie buff , Scorsese developed his love for movie house at a vernal age , going to the picture theatre and ingest as much as he could . A film nerd through and through , Scorsese eventually got his MFA from NYU after earn a Bachelor ’s in English .
Scorsese came of age in the 1960s , an exciting decade for movies . Over time , in various interviews , documentary , and composition undertaking , Scorsese has follow his lovemaking for picture palace , paying court to the directors whose innovations and panache struck him . This lean make for together 10 directors who informed and urge Martin Scorsese .
John Cassavetes
Cassavetes may be best - known for his TV and motion-picture show acting career , admit his roles inRosemary ’s BabyandThe Dirty Dozen , but his true sexual love was reach movies . He directed his first feature article , Shadows , in 1959 , and then went on to make some of the rawest , most vulnerable , and actual film of the twentieth hundred : A charwoman Under The Influence , The Killing of a Taiwanese Bookie , andOpening Night .
With his mentally ill , switch television camera way and a inclination toward improvised talks , Cassavetes wanted to make moving-picture show fueled by real life . Scorsese has oftencited himas an influence , and Cassavetes ’s style is apparent throughout Scorsese ’s other work , especiallyMean Streets .
John Ford
The man responsible for for creating a thriving Western thread in cinema , John Ford is considered one of the most iconic filmmakers in former Hollywood history . Focused on characters endeavor to make a biography for themselves in the wild frontier , Ford is responsible for Westerns between the thirties and sixties likeStagecoach , The searcher , andThe human beings Who Shot Liberty Vance .
Ford also adapted classic novels likeThe Grapes of Wrathto the full-grown screen . His filmography includes about 140 film , and he ’s beencited by directorsall over the world as one of the most important movie Jehovah of all sentence .
Michelangelo Antonioni
An Italian director whose flush was in the 1950s and sixties , Antonioni swear on mood and atmospherics to tell his cinematic stories of lecherousness , machination , and retaliation . Responsible for over a XII feature films , his stylized , beautiful glide slope to filmmaking moved many aim directors like Scorsese .
For Antonioni , plot and action are subaltern to imagery and vogue . Some of his most famous includeL’Avventura , L’Eclisse , La Notte , andBlowup . While Scorsese is much more fictitious character - driven , Antonio ’s influence is obvious through Scorsese ’s reliance on setting and design to keep his narratives going .
Akira Kurosawa
One of the most beloved and fertile Japanese film maker of all time , Akira Kurosawa ’s foresighted career as a filmmaker spans from the 1930s to the nineties . Whether he ’s make an larger-than-life historic drama , an cozy family tale or a fantastic , dream - based venture , Kurosawa ’s films are delimitate by his precise attention to detail , his New cinematic coming , and his centering on the generational , cyclic nature of wildness .
Kurosawa ’s study in the 1950s and sixties was extremely influential to American and European film lover . These tenner saw the discharge of his most love chef-d’oeuvre , includingRashomon , Ikiru , Seven Samurai , Throne of Blood , andKagemusha . Numerous movie maker havecited him as an influence , Scorsese included .
Ingmar Bergman
Another rich and influential filmmaker whose works informed Scorsese is the Swedish director Ingmar Bergman . Philosophical and moody , Bergman ’s pic lean to rely on intensive character studies that expose aspect of human nature , from love to creativity to madness .
Bergman ’s most famous film in 1957’sThe Seventh Seal , a medieval taradiddle about a horse who play a plot of chess with Death . His other masterworks includeWild Strawberries , Persona , Scenes of a man and wife , andFanny and Alexander . Bergman ’s movie are emotionally remindful , often use aspiration - comparable imagery to bestow deepness and mood . One of Bergman ’s frequent collaborators , Max Von Sydow , star inScorsese ’s 2010 filmShutter Island .
Francois Truffaut
One of the most youthful and refreshing mid - C cinematic movements was the French New Wave , and Francois Truffaut was at the vanguard of the cause . Alongside conductor like Jean - Luc Godard , Agnes Varda , and Eric Rohmer , Truffaut eschewed traditional ideas about filmmaking , trust on chic and new redaction styles and narrative techniques .
Truffaut ’s masterpieces includeThe 400 BlowsandJules and Jim , both films that focus on adolescence and young sexual love . Scorsese has spoken at duration about his lovemaking forThe 400 Blowsin particular , which tells the story of a untried boy grapple with the adult worldly concern around him .
Yasujiro Ozu
Another iconic Nipponese managing director , Yasujiro Ozu made legion family dramas between the late 1920s and former 1960s . His intergenerational , slow - moving , histrionic feeler to filmmaking has contributed to his growing reputation as one of the most significant film maker of the 20th century .
Ozu is known for classics likeLate Spring , Toyko Story , Floating gage , andAn Autumn Afternoon . As his motion picture have gained more attention , his use of improper frame and movements have been highlighted by critics , as well as his inclination to jump in the lead in his narrative without depicting important events in the lives of his characters . All of these qualities are present in Scorsese ’s film .
Michael Powell
This British auteur is remembered for his dingy and compelling thriller , includingThe 49th Parallel , Black Narcissus , andPeeping Tom . Scorsese has referenced Powell numerous clock time over the class of his calling , noting the managing director ’s tense , invasive style .
Powell worked his style up from gofer to scriptwriter to a director . Despite being a well - value , prolific film producer , he received stark criticism for the sexualized violence depicted inPeeping Tom , which was released in 1960 . The film , though , proved to be one of the most influential in Powell ’s filmography , foreshadowing the spunky , voyeuristic step of seventies cinema .
Satyajit Ray
An Indian filmmaker , Ray is view one of the unspoilt director of all clock time . He was turned into movies when he was exposed to the glowering Italian realistic dramaBicycle Thieves , and his life history spans from the 1950s until the 1990s . He ’s take note for his slow pacing , simple storytelling structure that belies the great complexity underneath , and Greco-Roman narrative techniques .
While not the most innovative or data-based , Ray made India a snapper for cinematic refinement , bringing the stories of everyday Indians into the external scenery . He ’s most famous forThe Apu Trilogy , three coming - of - age story that focus on the life of a Bengali boy named Apu .
Federico Fellini
Federico Fellini is one of the most well-thought-of Italian filmmakers of all metre , know for his films that blend fantasy , stark reality , and crisp character field of study . His films often pore on the originative unconscious process and the impulsive struggle that issue forth along with it .
He ’s comfortably roll in the hay for his film8 1/2 , about a celluloid theatre director worm with his own originative demons . His other iconic photographic film includeLa Dolca Vita , for which he won the Palme D’Or at the Cannes Film Festival , La Strada , andAmarcord . Scorsese has squeal in multiple interviews that he watches8 1/2every year .
NEXT : Martin Scorsese ’s 10 Best Movies , accord To Rotten Tomatoes
