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Quentin Tarantinois without a doubt an ingenious and innovativefilmmaker ; his name has even been given to a specific cinematic style / tactile sensation : Tarantinoesque ( no , seriously , look it up in the Oxford Dictionary ) . However , this does not mean he has not been influenced from someone . He himself has accept that he “ steal[s ] from every single flick ever made ” ( he ’s a lot more upfront about it than his fans ) .
The matter about Tarantino is that he never went to film school and did not even graduate high school . He learned how to make movies through watching them , making them , and by lick at telecasting stores , so it would come as no surprisal that he was heavily influenced . Here are 10 films that put him on the director ’s path .
Lady Snowblood / 修羅雪姫 [Shurayuki-hime] (1973)
The influence of this film is obvious inKill Bill . From the main female vengeful character train in swordsmanship , to the fight in the snow-covered garden , to the aesthetic , the non - analog order , and the song ‘ The Flower Of Carnage ’ used in the beginning inLady Snowblood(and babble by Meiko Kaji , the friend herself),Kill Billpays beautiful homage to this Nipponese pic . Yuki , a baneful assassinator known wide as Shurayuki - hime , was trained since puerility to avenge the assault , wrongful sentence , and incarceration of a female parent she never run across . When she come of age , she hunts the humans responsible one by one and enacts her flaming vengeance .
Death Rides A Horse / Da Uomo A Uomo [lit. As Man To Man] (1967)
We are sure you are conversant with the use of this film ’s soundtrack inKill Bill , but it was not the only thing Tarantino picked up . This beloved classic Spaghetti Western by Giulio Petroni has been a reference of inspiration for the style of Tarantino’sThe Hateful EightandDjango Unchained .
In this picture , unseasoned Bill ( John Phillip Law ) , a boy whose entire family was murdered in front of his eyes , embarks on a journey of revenge 15 days later , having become a skilled shooter . Each one of the liquidator carried a distinctive feature that Bill committed to storage while seeing his syndicate massacred and his home burned .
Game Of Death / 死亡的遊戲 [Sǐwáng Dé Yóuxì] (1978)
Remember that icteric striped tracksuit and bike inKill Bill ? They featured first in this flick . Originally , it was shoot in 1972 but was never completed , and the final product featured a very unlike plot than the original and was released 5 years after the protagonist Bruce Lee ’s decease . Lee plays Billy Lo , a martial artist that rose to swelling as a movie hotshot who now must exact his retaliation against a criminal syndicate that he refused to bow to . His first clash with them leaves him disfigured which gives him the opportunity to fake his decease and make his plans .
The Bride Wore Black / La Mariée ‘Εtait En Noir (1968)
This film bears a lot of similarities toKill Bill , from the theme of payback , to the egg on incident happening ( the death of the titulary Bridget ’s almost husband ) at a wedding , to little details like the booster ingest a “ expiry list ” in her notebook . This Gallic motion picture by François Truffaut distinguish the tale of the vengeance of Julie Kohler ( Jeanne Moreau ) , a cleaning woman who lost her partner on their wedding twenty-four hours .
Her first impulse when grief - stricken is to commit suicide , but instead she travel around France hunting down the human being responsible . It was nominated for a Golden Globe as Best Foreign Language Film .
Foxy Brown (1974)
Even from the title it is obvious what this movie was an breathing in for . Pam Grier star in bothJackie Brownand its herald as the proclaimed blaxploitation queen . She depict Foxy Brown , a womanhood who is forced to infiltrate a “ modeling agency ” ( euphemism / cover for brothel ) bewilder as a cocotte to be close to her boyfriend ’s killers and the house of prostitution ’s possessor : Steve Elias ( Peter Brown ) and Miss Kathryn ( Kathryn Loder ) . The film was criticized for stamp African - Americans in a fourth dimension of sociopolitical turmoil ( which was unquestionably true ) , but simultaneously praised for its feminist themes .
Django (1966)
Again … does this rubric call any bell ? This Italian spaghetti western by Sergio Corbucci was created to piggyback on the success of Sergio Leone’sA Fistful Of Dollars(starring Clint Eastwood ) , although it has become a classic on its own right ever since , with the fictitious character Django being referenced dozens of times in films that follow .
One of those pic was Tarantino’sDjango Unchained , in which Franco Nero ( who originally played Django ) makes a cameo appearance . Django is a former Union soldier who roams the desert at the American - Mexican border until he comes upon the man of Major Jackson – a bigoted old-fashioned - confederative soldier - that are harassing Maria , a bawd . He save up her , but the duet enter a blood feud with the local Red Shirts .
The Good, The Bad, And The Ugly / Il Buono, Il Brutto, Il Cattivo (1966)
Of course , this movieis here;Clint Eastwoodand Sergio Leone could not be miss as an influential pair for Tarantino .
Again , following his everlasting sexual love for spaghetti horse opera , Tarantino pays court to this flick any fortune he gets : from using " Il Tramonto " ( an Ennio Morricone piece from this picture ’s soundtrack ) inKill Bill : Volume II , to the Mexican standoff inReservoir Dogs , to hoi polloi having supposedly upstage but very tense conversations before one murders the other ( like the opening ofInglourious Basterds ) . Traces of this iconic film can be found everywhere in Tarantino ’s career .
The Dirty Dozen (1967)
Tarantino’sInglourious Basterdsis in many way a tribute to this film by Robert Aldrich . In this movie , a group of American US Army captive turned soldier ( two of them German speech production ) are trained for a special foreign mission call Project Amnesty : to jump down onto Brittany , France and kill a number of high - ranking Wehrmacht officeholder to faze German authority in North France only days before the Normandy Landings ( often referred to as D - Day ) . The sprightliness of both films is utterly captured in this one ’s tagline : “ cultivate them ! Excite them ! Arm them ! … Then turn them light on the Nazis ! ” .
Charley Varrick (1973)
It feels weird that this movie by Don Siegel came first , because if you view it you will get the feeling that it is a retroactive court to Tarantino ’s career ( although the opposite is plainly reliable ): the picture start asReservoir Dogsgone equally untimely , but it quickly turn intoJackie Brown , then somewhere along the wayPulp Fictionknocks on the threshold and say “ Hi ! Can I be in the movie too ? ” It get with Charley , his wife Nadine , and two accomplices perform a banking concern looting that survive south in lightning velocity . The only one leave awake are Charley and his accomplice Harlan , who get by with 765,000 $ , only to realize that they gazump a bank that was launder money for the Mafia .
City On Fire / 龍虎風雲 [Long Hu Feng Yun] (1987)
Okay , when it come to this Hong Kong cop thriller and Tarantino ’s breakthroughReservoir Dogs , Tarantino ’s homage can be called downright carbon copying ; although , regard that even at the clip this film and its case were quite formulaic in Hong Kong , Tarantino did bring originality through his stylus .
InCity On Fire , a police deputy , anxious to stop a gang of gem stealer , persuades his nephew Chow Ko ( Yun - Fat ) to go underground and entrap them . He pass through the chemical group and shortly develop a friendship with one of the thieves . Chow wavers between his allegiance to the police and veneration to his group . The movie ends in a despairing flee from a robbery , a faulting of trustfulness , and a Mexican repulsion … Sound intimate ?
NEXT:5 Reasons Quentin Tarantino Is A Better Director Than Martin Scorsese ( & 5 Why Scorsese Is Better )
