Related
These solar day , with the potential of millions of destruction around the earth from the COVID-19 pandemic , multitude are looking at death a petty otherwise . But that does n’t intend you ca n’t still express mirth in the face of risk . And these funnycomedymovies about death will help you do just that .
From the security of your social closing off , you could revel these off - musical rhythm takes on death , the final destination that awaits us all . But looking at this list , what ’s most surprising is how often these morbid drollery are rightfully life - affirming . Nothing reignites your will to live like take a close spirit at end .
The Death Of Stalin (2017)
ordinarily , death is an intensely personal experience . But what happens when the dying individual is the top dog of body politic , and not just any head of state , but one of the most ruthlessly check dictators in history ?
Well , then you ’ve get yourself the everlasting frame-up for a madcap comedy of error as people scramble to exploit the power vacuum to advance themselves . From its hilarious hatchway scene to its darkly ironical conclusion , The Death of Stalinis a well - crafted clowning car full of machination and surprisal , even though we all know the termination .
Ghost Town (2008)
Ricky Gervais made his name as David Brent , the boss in the original British reading ofThe Office . InGhost Town , Gervais shows the same upset charm he did as Brent . Now he ’s Bertram Pincus , a misanthropic dentist who finds himself pursued by ghosts .
The main problem with wraith : they ’re just like people , but dead . And they wo n’t leave him alone until he help them handle bare business concern from their lives . This picture show remind us that our death is likely to allow a mickle of light ends and that we should seek to take precaution of as many of them as possible before we go . And for a different take on the same premise , try out the Robert Downey Jr.-ledHeart and Soulsfrom 1993 .
Wristcutters: A Love Story (2006)
How ’s about this for a desolate comedy premiss : when people commit suicide , they go to a limbo live entirely by other suicide ? This hereafter is just like normal life , but a little bit worse , specially considering the company .
Oh , and nobody can smile . The moving-picture show expect at how people finger about their decisions to practice suicide , and how they strive to get their life story back once they ’ve given it up . This is a humorously Freudian fable about the power of love ( Eros ) to get the better of the drive toward end ( Thanatos ) .
Harold And Maude (1971)
Harold and Maudewas woefully underappreciated when it was released . usually perceptive film critic Roger Ebert pan out the picture , regard it as a failed story of Eros and Thanatos , where " the two seem so interchangeable that life ’s scarcely worth the special bother . "
However , that ’s part of the point . Better than any other movie on this list , Harold and Maudelet you gaze existential apprehensiveness in the face , laugh , and walk out with a smile . Fortunately , the motion picture has become more appreciated with time . And it ’s enormously influential . Wes Anderson’sRushmore(1998 ) , for case , feel like a simple turn of events of the screw onHarold and Maude .
Weekend At Bernie’s (1989)
Up until now , most of the moving picture on this leaning have been fairly heavy , butWeekend at Bernie’sis as light a movie about death as it ’s potential to imagine . The assumption is that Insurance CEO Bernie is defrauding his own company until two gloomy - level employee discover his misappropriation .
He wants them kill , but his mob partners shoot down him alternatively . Then the two employees discover Bernie ’s body and resolve to use it to affect he ’s still alert so they wo n’t be blamed for the execution , and they can still party at his Hampton ’s beach business firm . It ’s sappy and stupid but hilarious . It ’s also a metaphoric " feed the fat " scenario that ’s surprisingly cathartic .
Heathers (1988)
A film that almost call for no innovation , Heathersfelt like the staring palate cleanser to the seemingly endless slate of John Hughes 80s rom - com . This flick takes a dark twist on the powerfulness of popularity in gamy schooltime , as Veronica ( Winona Ryder ) gets tempt out of the circle of democratic little girl named Heather by outsider J.D. ( Christian Slater ) .
Ryder and Slater have utter chemistry , show the kind of dear that starts pure but can turn toxic . Although funny , it has serious messages about stripling anxiety , popularity , and the way often capitalize on the deaths of suicide victim with meaningless campaign , perpetuate the nerve-racking system that spawned the suicide in the first place .
Monty Python’s The Meaning Of Life (1983)
Monty Python has long been turning death into funniness gold . From the " Dead Parrot Sketch " toLife of Brian ’s " Always Look on the Bright Side of Life , " to the Black Plague succession inMonty Python and the Holy Grail , the troupe has always rule ways to make us laugh at the infinite abyss .
ButThe Meaning of Liferepresents their most drawn-out series of jokes about giving birth , dying , and all the falderol that go on in between . There are so many classic birdsong and put-on , it seems insufferable that they all fit in just one movie . And it ’s so touching you might very well hollo if you were n’t so busy laugh .
Beetlejuice (1988)
Tim Burton ’s straight directorial debut , Beetlejuicereminds us we ’re powerless after dying . We ca n’t control our legacy or agree onto the substantial things that give us delight in animation . late stagnant couple Barbara ( Geena Davis ) and Adam ( Michael Baldwin ) find that their agrestic Connecticut house has been bought by urbanites who need to transform it into their gauche home away from home .
They draft the service of the sleazy " BIO - exorcist " Beetlejuice ( Michael Keaton ) , only to find that they ’d rather coexist with the family than wound them , especially the tender daughter ( Winona Ryder ) . The hereafter represent in the motion-picture show is at once skewed and tolerable , and the flick ’s conclusion is well - earned .
Death Becomes Her (1992)
Death Becomes Herwas the perfect parable for the pliant surgical process age , and it remain relevant in the eld of BOTOX . Two adult female ( Meryl Streep and Goldie Hawn ) , romantic rivals for the affection of a plastic surgeon ( Bruce Willis , who artfully plays counter to type ) , rely on an immortality potion to guard against death .
The only job : the potion does n’t work as expected , and the women retain to get on and take injury , even though they can not croak . Streep and Hawn give deepness to fictitious character that could easy have been play as shallow types , and the groundbreaking ceremony effects have ( mostly ) hold up .
Death at a Funeral (2007)
funeral are for the living , an chance for those of us left behind to get by with the emotional legacy of our have intercourse one . expiry at a Funeralshows us how hilarious this can be when we light upon our loved one were not who we thought they were .
Directed by Muppeteer Frank Oz and with a delicious comedic twist by Peter " Tyrion " Dinklage , this movie is full of cathartic laughs that can help you add up to terms with even the most complicated lost love ones . And while it ’s much - drag through the mud , the 2010 American translation is also worth seeing , though it ’s not as definitive .
NEXT:10 Best Action Comedies That coalesce The genre dead
