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Since filmmaking is a largely collaborative appendage , it ’s very common for certain panorama of a motion-picture show to be far good than others . While one movie’scinematographymay be fantastic , for example , it may have a terrible playscript . This is a pity since film that are generally study ‘ sorry ’ are often draw a blank about , despite the awful work of so many artists .
This is particularly noticeable with film scores . multitude have a tendency to associate euphony and emotion , so when a movie ’s score is grand , yet the pic it belongs to is n’t , it always feel like a vast waste . In the spirit of that , here are 10 great film score that deserved better movies .
The Golden Compass
base on theHis Dark Materialsseries of books by generator Philip Pullman , The Golden Compasswas amongst the most highly anticipated motion-picture show of 2007 . Despite take a shit a sizable$372.2 million at the box officehowever , the moving-picture show itself failed to make an impact on fans of the series and newcomers likewise .
Feeling like a watered - down translation of the belovedsource textile , The Golden Compasssoon blow over into proportional obscureness . With that say , the motion-picture show ’s score – compose by the Oscar - gain Alexandre Desplat – stands out as a clear highlighting , with its beautiful orchestral pieces leaving more of an impression than the picture itself .
Angels & Demons
The middle chapter of Ron Howard ’s poorly received Robert Langdon series of films , Angels & Demonswas perhaps the most critically successful entry of the cluster . The movie see Tom Hanks reprise his role as Robert Langdon , who ’s tasked with tracking down an Illuminati terrorist hellbent on destroying the Vatican .
While the serial publication is just the most memorable franchise in Hollywood history , Hans Zimmer exhibit a pre - Interstellarpenchant for organs in his extremely underappreciated musical score for the trilogy . Angels & Demons ’ score stay a standout , with track like “ God Particle ” capture the evocative tone of the subject issue more so than the picture itself .
Lady in the Water
Lady in the Watercame out back in 2006 – a menses of time in which audiences did n’t quite know where they stood with M. Night Shyamalan . Earning tremendous congratulations for the likes ofThe Sixth SenseandUnbreakable , his 2004 kinsfolk horrorThe Villagegarnered significant disdain . alas , The Lady in the Watercontinued this downward trend for Shyamalan , with the moving picture being wide panned for its foreign ( and meta ) patch and odd performances .
Nevertheless , James Newton Howard ’s account for the moving picture was incredible . languid and antic , the music perfectly encapsulates the opinion audience wanted fromLady in the water supply , but sadly never got .
Halloween III: Season of the Witch
Halloween III : Season of the Witchis noted for being divisive . While some fans despised it for its peculiar plot of ground and separation from the original moving picture , others lie with it for those precise same reason . Wherever you stand though , the picture show is n’t the most priming - breaking in the genre , despite being camp fun .
Part of what makesHalloween tercet : Season of the Witchstick with so many though is its brilliantly 80s score . build onHalloween’siconic topic , John Carpenter and partner in crime Alan Howarth make a creepy , hair - arouse grade that utterly recreate the emotional state of its titular holiday .
Alice in Wonderland
Believe it or not , 2010 ’s reimagining ofAlice in Wonderlandproved to be a Jagganath at the global box office , grossing over$1 billion worldwide . Helmed by devotee - best-loved conductor Tim Burton and starring the like of Johnny Depp and Helena Bonham Carter , the picture was hotly anticipated upon its loss . Its ‘ weird for the rice beer of being weird ’ sensitivity bleed through the screen however and cease up feel like a ego - parody of Burton ’s previous whole kit .
It ’s a tangible shame too since Danny Elfman ’s magical mark – with “ Alice ’s Theme ” being a standout – painted a picture of a franchise with much more potential .
Dragonheart
AlthoughDragonheartis fondly remembered by some , there ’s no incertitude the movie does n’t exactly hold up well , its witching visual effects apart . Starring Sean Connery as the voice of Draco the Dragon , as well as the likes of David Thewlis and Dennis Quaid , the movie follow the story of dragonslayer Bowen , who must team up with Draco to terminate the monocracy of King Einon .
While the moving picture is hardly terrible by any means , Randy Edelman ’s grudge is pure fantasy good , zoom high above many other facial expression of the photographic film . Placed in a motion picture with more narrative weight , Dragonheart ’s score could have been iconic .
Exorcist II: The Heretic
While bothThe ExorcistandExorcist IIIhave received turgid sum of acclaim for various reasons in the years since their going , Exorcist II : The Hereticremains the black sheep of the series , renowned for being a largely awfulfollow upto one of the greatest repugnance motion picture ever made .
Its score , however , is amongst the best in its genre . volunteer chills that the film itself does n’t deliver on , the euphony forExorcist II : The Heretic – scored by fabled composer Ennio Morricone – evokes a palpable sentience of apprehensiveness and tensity .
Cutthroat Island
Notoriously one of the biggest box office flops of all time – grossing only $ 10 millionon an almost $ 100 million budget – Cutthroat Islandhas served as a cautionary taradiddle to the industry ever since its release in 1995 .
From its lustreless script to its pull romantic lead , this Renny Harlin - directed wreck was pan from almost every angle imaginable . With that said , John Debney ’s energetic , swaggering score deserves so much more than it gets credit for , effectively nailing the windy , adventurous flavor that the pic was in all likelihood going for when it was first conceive .
The Last Airbender
It ’s no closed book that M. Night Shyamalan’sThe Last Airbenderis one of the most widely despised adaptations ever created . all overlook the spot of theoriginal series , while flip in some horrific writing and performances to thrill , fans were not happy , to say the least .
In fact , moviegoer got so wrapped up in pan every aspect ofThe Last Airbenderthat the movie ’s sole worthwhile aspect – its score – conk out almost completely unnoticed . With composer James Newton Howard coming through for Shyamalan yet again , The Last Airbender ’s wholesale orchestral scotch could have been iconic if the movie it was couple with was n’t so hated .
Star Wars: Episode I – The Phantom Menace
Let ’s confront it ; it ’s wanton to criticise George Lucas’Star Warsprequels . Becoming somewhat fashionable to make fun of in late years – and perhaps justifiedly so – there ’s no uncertainty that John Williams ’ score for the trilogy remains one of the most beloved of the last few decennium , particularlyThe Phantom Menace .
Tracks like “ Duel of the Fates ” have become recognizable across generations , providing a more menacing edge to the world ofStar Wars . Williams ’ score makes the prequels palpate much more epic than they were before , likely matching up with Lucas ’ vision for a franchise much larger in background and ambition . It ’s just a shame thatThe Phantom Menacewasn’t very good .
NEXT : Star Wars : The 10 well New Aliens From The Sequel Trilogy
