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With multiple masterpiece under his smash , Paul Thomas Andersonis one of the most prominent and revered filmmakers working today . boogie-woogie Nightsis a striking portrayal of the Golden Age of Porn , There Will Be Bloodis a transcendent epic poem arguably on equation withThe Godfather , andPunch - Drunk Loveis one of the greatest romances ever portrayed on the bounteous screen .
Anderson ’s trend did n’t come to him fully formed in a fatal pipe dream ; it ’s the solution of a cocktail of cinematic influence mix together to make something young . So , here are 10 movies that have influence Paul Thomas Anderson ’s directorial flair .
Goodfellas (1990)
Anderson reportedly watchedGoodfellasevery calendar week when he was shootingBoogie Nightsbecause he wanted to emulate its zippy pacing andepic , yet intimate stakes . Martin Scorsese ’s biopic of Henry Hill ispossibly the slap-up mob movie ever made ; with its cutting true - to - life ending , it ’s a prophylactic narrative about the grim side of the mafia modus vivendi .
Scorsese himself was inspired to giveGoodfellasits breakneck pace and all - over - the - place storytelling style by the opening scenes of François Truffaut’sJules and Jim .
refer : Every Paul Thomas Anderson Movie Ranked
The Treasure Of The Sierra Madre (1948)
While he was writing the script forThere Will Be Blood , Paul Thomas Anderson reportedly watched John Huston ’s classic westernThe gem of the Sierra Madreevery night before he went to layer .
Anderson said of thefilm ’s influence , “ When I watch this again , all of life ’s questions and answers are there in the motion picture : the way to make moving picture , hold up your life , get along , everything . ”
Jaws (1975)
“ Jawswas a big , braggart , big , great , big heap to me,”said Paul Thomas Andersonof Steven Spielberg ’s industry - alter , shark - hunting chef-d’oeuvre . When Anderson was a kid , Jawswas one of two motion-picture show ( along withThe Wizard of Oz ) that he watched over and over again .
The nifty thing aboutJawsis thatit ’s not really about a shark ; the shark is just there to force the three very different booster to work together .
2001: A Space Odyssey (1968)
Anderson ’s fashion has been hard inspire by Stanley Kubrick , but one picture show of his that he ’s refer as being particularly brilliant is his sci - fi epic2001 : A Space Odyssey , which charts the chronicle of humanity before boldly leaping into its future .
Specifically , Anderson was influenced by Kubrick ’s use of music in his movies . Andersonsweepingly adjudge , “ It ’s so hard to do anything that does n’t owe some kind of debt to what Stanley Kubrick did with music in picture . ineluctably , you ’re going to terminate up doing something that he ’s plausibly already done before . ”
Stray Dog (1949)
Akira Kurosawa ’s offence dramaStray Dogplays like a Japanese take on the American celluloid noir . It tells the story of one bad sidereal day in the living of a untested , inexperienced detective .
Despite the complex plotting of a lot of Anderson ’s movies , what he hump about this one is the simplicity of its storytelling : “ you may say it in one sentence : a rookie cop lose his gun . It ’s unbelievable . ”
Rear Window (1954)
A 2nd viewing of Alfred Hitchcock’sRear Windowbefore makingPhantom Threadchanged Anderson ’s perception of it .
Heexplained , “ Rear Windowreally spoke to me , especially Grace Kelly ’s performance and the sorting of whole idea that Jimmy Stewart was this bachelor who would never get married and he ’s a single guy cable and ‘ I ’m a photographer ’ and ‘ I ’m out there in the jungle and you do n’t want any part of this ’ and that kind of matter . ” This dynamic clearly act upon Reynolds and Alma ’s riotous relationship inPhantom Thread .
The Silence Of The Lambs (1991)
When Anderson was demand to name three directors who have influenced his career the most , he replied , “ Jonathan Demme , Jonathan Demme , and Jonathan Demme . ”
In particular , Anderson has manoeuver toThe secrecy of the Lambsand Demme ’s use of closeup of actors ’ facestalking directly to the camerain conversation scenes .
Raging Bull (1980)
Your average P.T. Anderson friend , from Dirk Diggler to Daniel Plainview to Reynolds Woodcock , will have a astounding gloaming from grace . This follows the tragic trajectory of boxer Jake LaMotta in Martin Scorsese’sRaging Bull . Robert De Nirobrought agonizing exposure to Jake ’s violent rage .
The final view ofBoogie Nights , with Dirk talking to himself in the mirror of a dressing room , is a direct analogue to the last shot ofRaging Bull , in which De Niro emulates LaMotta emulate Marlon Brando ’s “ I coulda been a contender ” monologue fromOn the Waterfront .
Putney Swope (1969)
Robert Downey , Sr . ’s rage hitPutney Swopehas been named by Anderson as a polar influence on his approach to filmmaking . A pet of many underground photographic film buff , Putney Swopeis a searing satire of the ad manufacture .
Don Cheadle’sBoogie Nightscharacter Buck Swope wasnamed in honor of this film , with permission from Downey ( who makes a abbreviated cameo coming into court in the movie ) .
Short Cuts (1993)
adapt from a handful of Raymond Carver history , Robert Altman’sShort Cutsis asprawling anthologythat provides a rounded portrayal of lifetime in Los Angeles through the perspectives of various disparate quality .
Anderson formulated his own take on this premise withMagnolia , another straggle dramatic epic poem about the everyday lives of Los Angelinos . Anderson has also clearly taken inspiration from Altman ’s filmNashville , but the influence ofShort Cutsis a lot more obvious .
NEXT:10 Movies To take in If You ’re A Fan Of Martin Scorsese
