The Breakfast Club
There is no arguing the fact that John Hughes was a staple of the eighties and onwards . He dominated the film diligence with his unique directorial attainment and brilliant written material . His movies offered sensitivity , humor , and wit , and because of this we could n’t help but go down in sexual love with almost every flick he put out into the universe .
Yet while the majority of his piece of work will constantly be cherished and praise by flick buff and casual flick viewers alike , there are some elements to his movies that simply would not be satisfactory by today ’s more inclusive and reform-minded standards . What fromJohn Hughes ' movieshave aged like a fine wine ? And what from these films would never be satisfactory in today ’s day and eld ?
AGED WELL: PORTRAYAL OF TEENAGERS
Movies likeThe Breakfast Club , Sixteen Candles , andPretty in Pinkwere considered to be rotatory , and for a dear rationality . Although you do n’t have to be a teenager to to the full appreciate these picture , John Hughes films do an fantabulous job portraying people in this age group who are often fight with their identities and deal with grave spring up pains .
The way these characters are so the right way and authentically indite speaks to gazillion of the great unwashed in this historic period group who are work hard to regain themselves and get through high schooling , which is one of the most difficult periods in sprightliness where everyone is just trying to find themselves . This is specially evident inThe Breakfast Club , as we get multiple perspective on what it is like to shin with fitting in and have to play a " role " in ordering to conform and blend in right .
AGED POORLY: SEVERE LACK OF DIVERSITY
While these film do a great job showing off multiple perspectives , what we unfortunately do n’t see is people from dissimilar cultural and racial backgrounds being represented in these films . Even the extras in these movies are almost exclusively livid , and the lack of delegacy for multitude of unlike ethnicity and ethnical background is a mo uncomfortable to view .
Because John Hughes is known for create celluloid that focus on the outsider ’s linear perspective , it would have been nice for him to admit a more diverse cast of individual who have their own unequaled spot of view when it hail to the mellow school experience .
AGED WELL: THE DIALOGUE
John Hughes ' film are still considered cinematic classic for many dissimilar reasons , yet perhaps one of the chief grounds these movies stay so appreciated to this day is because of the effortless negotiation we are exposed to in each of these movies .
Even though some of these films came out over three decades ago , we still see ourselves constantly quoting these movies because the agate line throughout the film are so significant and relatable . For these movies to still be considered so quotable ages after their spillage speaks volumes to John Hughes ' natural endowment and his ability to create excellent dialogue .
AGED POORLY: SEXIST THEMES
If we are depart to take an true look at some of Hughes ' movies , there is no refuse the fact that there are a string of tough patterns in regards to how to manly characters handle their female counterpart and in the end get repay because of it . In the movieSixteen Candles , the character Caroline is seen as a intimate prize and the nerdy character has sex with her when she is practically unconscious . He is then rewarded for his conquest without any consequence for his actions .
InThe Breakfast Club , Bender spend the entire picture show bullying Claire and calling her pathetic . He never once apologizes for this cruel and undeserved behaviour , yet he still terminate up stupefy a buss from Claire in the last despite how foul he has plow her throughout the picture . This just would not fly today , and we are grateful for that .
AGED WELL: THE CHARACTERS
John Hughes ' films would be nothing without the incredibly unique and enchanting fiber that reign these pic . As a theatre director , he does such an incredible job creating people that we can both colligate to and admire .
Whether it ’s Ferris Bueller ’s overwhelming personal magnetism and adventurous joke throughoutFerris Bueller ’s DayOff , or Allison Reynolds ' oddball persona inThe Breakfast Club , we are draw in to these character because we can see a reflection of ourselves in them . Most of the persona that John Hughes has helped lend to life are still very much appreciated and dear to this day .
AGED POORLY: THE PORTRAYAL OF ADULTS AS SOULLESS MONSTERS
There is a bit of a coherent theme throughout John Hughes ' picture show where almost all the adult eccentric , give or take a few , are clueless and authoritarian teras who exist to make the lives of teenagers miserable . Although Hughes has made some first-class adult lineament , when the movies are teen - ground , the adults come across as resister and villain simply because they are stress to do their line .
This is especially observable inFerris Bueller ’s Day Off , where Principal Rooney must see intimidation and harassment simply for doing his job and trying to make decree . Although he is n’t perfect , he certainly did not involve to be villainized to the extent that he was .
AGED WELL: THE PERSPECTIVE OF THE UNDERDOG
One thing that we can really appreciate from John Hughes ' movies is his dedication to the " underdog " fictional character . This seems to be a coarse theme in middling much all of his movies where we get the view of individual who just ca n’t seem to advance .
Usually they are not the most popular characters , nor the most beautiful , or the most intelligent . This is decent to see , since Hollywood pic usually like to focus on hoi polloi who are already at the top of the food chain . have a focus on these characters who do n’t always get what they want is a novel modification of pace and it makes a fistful of people feel seen and represented .
AGED POORLY: THE CASUAL RACISM
unluckily , some of Hughes ' movies have casual racism stack away throughout . This is peculiarly the case in the movieSixteen Candleswith the character Long Duk Dong who is the buns of the joke simply due to his race . There is nothing funny about the racial humor throughout the movie and all of these " jokes " find exceedingly outdated .
Thankfully , this form of humor would never be acceptable by today ’s criterion , andMolly Ringwald has even utter out lately about her own cerebration on the racism inSixteen Candles .
AGED WELL: HIS 80S MOVIE CLASSICS
John Hughes has a lot of movies under his knock , including some awing hits in the 90s and onwards . Yet his best study is without a doubt from the 1980s , with photographic film likeThe Breakfast Club , Ferris Bueller ’s Day Off , andPretty in Pinkas some of his most meaningful and Hellenic study .
When we think of 80s movies in general , most of us are quick to point to these picture created by John Hughes . He dominated the decade , and the zeitgeist of these cinema bring on a genuine sense of nostalgia for viewers , even for those who have n’t lived to experience the 1980s . Yet even though his pic from the 1980s are from decade ago , a handful of them are just as prevalent practically 40 years later .
AGED POORLY: HOMOPHOBIC REMARKS AND LACK OF LGBTQ REPRESENTATION
As stated before , John Hughes films are designed to give a voice to the underdogs and the outcasts of the humanity . Because of this , it would make a lot of sense for Hughes to have theatrical role who identify with the LGBTQ community in Holy Order to give a voice to the great unwashed who at the time did not really have one . It is also pregnant to take note that homophobic slurs are tossed around constantly in these films , even by characters who we are supposed to be take root for .
By todays standards , this just seems irresponsible . Although we will always love Hughes ' classics and go on to enjoy them , it is important that we acknowledge the shortcomings of these movie so we do n’t terminate up repeating old mistakes and instead learn from them .
NEXT : John Hughes ' 10 Best Films Of All metre
