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the American Genre Film Archive is one of the fine mental home of its kind , existing " to keep the bequest of musical style pic through collection , conservation , and statistical distribution . ” But these are n’t your run - of - the - mill Roger Corman joints or mid - tier slasher : AGFA is about looking after the grittiest , most lo - fi , most ignore non - classics ever left to rust and rot in bombed - out projection booths across the land or languish in deal cellar VHS bin .
Doing their civic duty with therest of the genre / repugnance communityduring these trying fourth dimension , AGFA has just made its catalog innocent to indulge in on streaming app Tubi . Here are ten of the wildest , weirdest , and dear films on offer to rain buckets this weekend !
The Violent Years (1956)
The unwarranted world of Edward D. Wood Jr. is filled with ridiculously entertaining , off - kilter gem that serve as a direct line to the picture palace of John Waters . causa in item : The Violent Years . This picture differentiate the story of good - girl - gone - bad Paula Parkins ( Jean Moorhead ) , a high shoal hellcat who lords over a clique of dissolute teen queens , each with a yen for lilliputian theft and cold - full-blooded execution . The fifties were rife with rubbishy B - movies masquerading as “ societal guidance ” film , andThe Violent Yearsis one of the best — using the era ’s fears about adolescent delinquency as an apology to attend to up plenty of sex and force liberally dressed in Wood ’s ripest dialogue .
Godmonster of Indian Flats (1973)
There ’s just something about a arctic monster stalk nearsighted boobs that inspires a certain joy that nothing else can replicate , andGodmonster of Indian Flatsis primo creature feature folderal . Directed by environmentalist / spiritualist / driveable carving ( ? ) pioneer , Fredric Hobbs , the film is about a chunky , eight - foot - tall sheep monster running amok in a desert venue . A product of the 1970s that looks at least a decade older , Hobbs ’ embraces the life of the film ’s raving mad Rebecca West setting and does what he can with his ludicrously stinking savage ( some carver ! ) , but the result is , as genre author Stephen Thrower posit , “ simultaneously fantastic , pitiful , and hilarious . ” For most films , those three parole would be damning . ForGodmonster of Indian Flats , they ’re a ringing endorsement !
The Sword And The Claw (1975)
Cüneyt Arkin was a major Turkish star of the ' 70s and ' 80s , chopping and gamey kicking his way through a wide array of derivative yet energetic action cinema . Though he ’s probably best screw for his role inThe Man Who Saved The World(ie TurkishStar Wars),The Sword And The Clawis easily his best onscreen crook . Arkin play a duo role as a king who is murdered and his boy who is raised by lions and spends the runtime retaliate his begetter ’s last , romancing maiden over , and kicking butt . A unproblematic plot description does little to capture the strange illusion of the everything - but - the - kitchen - swallow hole style of this Turkish marvel . PartConan The Barbarianfantasy fluff , part Shaw Brothers chop - socky actioner , Part Three Stooges - stylus slapstick , The Sword And The Clawis a rightful case of seeing - is - believing .
The Legend of Big Foot (1976)
The Legend of Big Footchronicles the hunting for everyone ’s favored North American myth in a faux infotainment format . Narrated by literal cryptozoologist Ivan Marx , the photographic film document the last ten years in his life searching for the elusive Sasquatch . Though apparently manoeuvre by Harry Winer , the legal age of the footage was indeed filmed by Marx , who also served as executive producer .
It has been claimed that Marx was the first to regain “ existent ” Big Foot prints in the wild , and though many of his contemporaries reckon the footage to be manipulated and little better than a fraudulence , The Legend of Big Foothas an aura of realism and is shadowy enough in inception to make anybody question just what exactly is lurk beyond the fringe of human knowledge .
Effects (1980)
pack with closemouthed collaborators of George Romero and made for peanuts , Effectsis a enchanting hand-crafted incubus that dissolves the boundary between creator and creation . The film stars special effects legend Tom Savini ( Dawn of The Dead ) , Joe Pilato ( twenty-four hours of The Dead ) , and John Harrison ( Tales From The Darkside : The Movie ) as coke - addled filmmaker hard at piece of work on a slasher flick , the shot of which is beset with accidents that may not be so inadvertent . Not only is it a eruption to see Romero ’s pals in what was understandably a D.I.Y. experimentation and project of love , but there ’s real thematic meat here for those unforced to give it a discernment . A meta - comment on horror and a treatise on cinematic violence , Effectsis also a tinny and disturbing closed book in its own right .
Lady Street Fighter (1981)
Do n’t get it twisted : this picture is no relative of the Sonny Chiba classic , though it definitely want you to think so . Written / produced by and star Renee Harmon ( one of the few prolific distaff filmmakers in B - motion-picture show history),Lady Street Fighteris an outrageous trash - actioner . Harmon toy Linda , an alien European beauty with mad karate skills whose Holman Hunt to rule the man who mutilate her duplicate sister brings her to the wilds of Los Angeles . With no - holds - barred fight sequences and a devastatingly fashionable leave lady , Lady Street Fighteris as terrible as it is fun .
Blood Lake (1987)
There are bad slasher , and then there’sBlood Lake . A shot - on - video oddity from the halcyon days of 1987 , this picture star a pack of nobodies on a weekend lakeside excursion filled with booze and babe . But , as expected , thing take a turn for the horrific when a cowboy - booted grampus starts picking off young mass one by one .
craft by a group of real - life Oklahoman pals on an actual holiday , rip Lakeis the variety of lo - fi unpaid sweat most distributor would n’t annoy to give a second spirit . But the folks at AGFA know a good thing when they see it , celebrating it as an oddly mesmerizing blend of ‘ 80 VHS garbage slasher and cinéma vérité “ esthetic . ” IsBlood Lakea best - forget proclaim home movie or a true - blasphemous rough - hewn gem ? Give it a chance , and either way , you wo n’t come up out of the experience ambivalent .
Scary Movie (1991)
John Hawkes is best recognize for his roles in buzzy autonomous pic likeWinter ’s Bone(for which he received an Oscar nod ) , but few are aware of his launching in the horror musical style . Daniel Erickson’sScary Movieis a long - lost regional jewel hail from Austin , Texas . Hawkes stars as Warren , a nerdy scaredy cat attending a local shade family with some sidekick . Warren is dictated to have a good time , but ca n’t get over his concern that a just - scat lunatic from the nearby asylum may be lurking in the preoccupied house . A small - townspeople valentine to the Halloween time of year , Scary Movieis a sleepyheaded , loveable jaunt buoyed by a bug - eyed , pre - fame Hawkes .
Mary Jane’s Not A Virgin Anymore (1997)
Dubbed “ the nance of underground film ” by none other than Roger Ebert , the late Sarah Jacobson was one of the most significant punk provocateur of the ‘ 90s . Though her output was minuscule , her films captured the peeing and vinegar of the debauchery grrrl ethos and leave an unerasable mark on no - budget filmmaking of the era . Her sole characteristic - length film , Mary Jane ’s Not A Virgin Anymoreis centered around a new charwoman tussling with pubescence , sexual activity , expiry , and friendly relationship as regard through an plain lens of the eye .
Starring Lisa Gerstein and Beth Roman Allen of the band The Loudmouths ( whose music is also featured),Mary Jane ’s Not A Virgin Anymoreis a hot loogie hocked forcefully in the face of Hollywood with all its polite and rosy coming - of - age dramas for teens .
Bad Black (2016)
Never heard of Wakaliwood ? Also recognize as Ramon Film Productions , this studio based in Wakaliga , a slum in the Ugandan capital of Kampala , boasts a team of self - taught filmmaker that has produced dozens of whackadoo action films for less $ 200 each . Their most popular release , Bad Black ( the winner of U.S. literary genre festival Fantastic Fest ’s audience honor ) have-to doe with a kindly doc on a missionary station to snatch a fellowship heirloom back from Uganda ’s most demonic work party . Stuffed with gunplay , goofy witticism , detailed motorcycle stunts and good deal of gonzo flamboyance , Bad Blackis a chef-d’oeuvre from Africa ’s guerilla filmmaking uppercase .
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