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Leigh Whannell’sThe Invisible Manproved how Universal ’s classical monsters can be scary again , but there are others in the studio ’s catalog that should be considered for potential updates as well , such asDracula , The Wolf Man , Bride of Frankenstein , andPhantom of the Opera .
Universal has tried to uprise its classic goliath before , first withDracula Untoldin 2014 that told an origin narrative of Vlad the Impaler ( Luke Evans ) . This eventually got disconnected for their larger plans for the Universe , and stopped being a part of it whole . From there , Universal green - litThe Mummy , which star Tom Cruise and released in 2017 . Along withThe Mummy , they had several other projects that would revolve around repugnance icons likeDr . Jekyll and Mr. HydeandFrankensteinand join likewise to the Marvel Cinematic Universe . As these franchise have crossed over the past , and with the success of these great , interconnected cosmos being prove to sour in some capacity , Universal attempted to make for their monster backin a bountiful way , focusing more on activeness and escapade rather than repulsion .
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As this did n’t turn , andThe Mummywas a major box situation dud , Universal cancelled their plans for a preserve universe and discussed chance for story - based , standalone films or else . These would bushel the properties to their origin in horror , and start with Leigh Whannell ’s update toThe Invisible Man , which explored domestic violence against womanhood and made the titular lineament into a modern monster with roots in technology over invisibility potions . There are other movies design in this newDark Universe afterThe Invisible Man , as Whannell proved that a back to basics coming is sometimes best , specially with genre like revulsion , which is steady down in the simplicity of awe .
Which Universal Monsters Deserve A Reboot Movie?
Draculahas been done to destruction , but in the correct men , could see a major revival that would potentially make vampires shuddery again . Leigh Whannell recently posed some ideasabout a hypothetical reboot , if he was tapped to undertake another Universal fiend property . While this has been done in 2020 already with Stephen Moffat and Mark Gatiss ' three - part series for Netflix and BBC , it was lackluster andriddled with plot holes , leaving audiences bewildered , though product values and acting - along with some of the changes to Stoker ’s novel - were seen as welcome .
Similarly to this , The Wolf Manhas machinate many lycanthrope stories and figure of speech since 1941 , and even got a reboot in 2010 . However , the story ’s core has n’t been tackled in unique , exciting ways for years , and instead angle on boring and predictable figure of speech . Ginger Snapstook an updated expression at werewolves by making the transmutation into a metaphor for female gender . Since social repugnance seems to be making quite a splash in Hollywood , perhaps this could be the path to go rather of the old traditions . Bride of Frankensteinis currently in the workswith Bill Condon direct and a script from David Koepp . Though she is certainly a horror ikon , much of her tale is tethered to Frankenstein ’s monster and , traditionally , her identity has always revolved around him . AsThe Invisible Manput cleaning lady ’s issues at the forefront , this could be a quality chance to explore those discussions even further .
Most people are familiar withPhantom of the Operadue to the Andrew Lloyd Webber musical , and the concept was done with Gerard Butler and Emmy Rossum in 2004 . However , much like vampires are often filtered through a romanticized lens , the Phantom is done in the same way . Sticking more tight to the character ’s horror stem or even exploring his descent might be a way to revitalise a place without the musical connexion , as was done with the original silent film that starred Lon Cheney as the Phantom in 1925 .
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