Taxi Driver

Todd Phillips’Jokeris a bluff and unique take on the origins of the Clown Prince of Crime , but it owes a lot to Martin Scorsese ’s classic psychological thrillerTaxi Driver . In the perverted psychological journeying of both films ' protagonists , their relationship with women , and the ways the films play on audience expectations , JokerandTaxi Driverseem to share the same deoxyribonucleic acid .

Taxi Driverstars Cybill Shepherd , Harvey Keitel , a young Jodie Foster , and of class , Robert De Niro in the leash roleof a damage Vietnam veteran turned taxi number one wood on a frantic helix into insanity and paranoia . The movie was an acclaimed cultural standard of the 1970s and was propose for four Academy Awards : Best Picture , Best Actor , Best support Actress , and Best Original Score . away from the consuming decisive acclaim , the movie has been a mainstay in democratic culture since its exit and continues to be a topic of word to this day .

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Scorsese at one pointwas bond to directJoker , but because of scheduling constraints as well as the comic al-Qur’an nature of the fictional character , the acclaimed director stepped into the role of producer and then stepped out of the movie altogether . Jokerended up hang into the hands of director Todd Phillips , who cast Joaquin Phoenix to play the statute title role and reimagined the grapheme as Arthur Fleck , a failed comedian and mentally unstable outcast who slowly start to embrace his dark nature as a result of social club ’s mistreatment of him . The movie was a massive winner , gross over $ 1 billion and becomingthe most profitable comic account book film of all - time , while also receiving 11 Academy Award nominations ,   including wins for   Best Original Score and Best Actor for Phoenix . DespiteJokerbeing based on the iconic comic Quran character and Scorsese’sTaxi Driverbeing a altogether original film , Jokerowes a lot to Scorsese ’s originative chef-d’oeuvre .

Both Arthur & Travis Are Celebrated For Their Slow Descent Into Murder And Madness

BothJokerandTaxi Driverfeature psychologically disturbed individual who , as a outcome of the fortune around them as well as their intimate upheaval , fall deep into their own psychoses . No one around either case seems to sincerely care about their mental stableness , and their home despair cursorily becomes externally trigger-happy . For Travis Bickle , this takes the phase of an assassination try against a presidential candidate ; after this fails , Travis engages in a shootout with a local harlotry band responsible for pimping out a young young woman cite Iris he ’s befriend . InJoker , Arthur ’s ancestry into madness culminates in his murder ofMurray Franklin ( Robert De Niro ) , a talk show hosthe once idolized , on live television system .

An integral panorama of both of their transformations is that affirm characters   celebrate these turn of violence . Taxi Driverends with Bickle seemingly becoming a hero in the public oculus , with   favorable   news program medium coverage and Iris ' father direct him alphabetic character of thanks ( despite the fact that Travis is fatally wounded in the shootout).Jokertakes a similar route , with Arthur ’s crimes inspire social gyration in the shape of a class riot , which inadvertently claims the lives of Thomas and Martha Wayne ( andin a previous draft , Bruceas well ) .

What ’s important to take note , however , is that these events are n’t necessarily the truth of the site , but rather how both master characters perceive them to be . SinceJokerandTaxi Driverare both psychological thrillers , the flick make indisputable that the audience isexperiencing event the same way that Arthurand Travis are . As a result of this , their actions at the conclusion of their various films are ostensibly glorified because both protagonists have to the full regressed into their delusions . Both Arthur and Travis are desperate masses who are ignored by society , and both of them have win over themselves that they are wedge by the end .

Travis Bickle & Arthur Fleck

Related : A Joker Sequel Could bring out A Completely Different Batman

Arthur Fleck & Travis Bickle Have Imaginary Relationships With Women

Another subplot that ’s share by both films is an reckon relationship with an unrequited making love . InTaxi Driver , Travis falls for Betsy , a unseasoned campaign military volunteer play by Cybill Shepherd . After a relatively successful first engagement , Travis alien her by taking her to a adult theatre , and when she does n’t return his calls and dire apologies , he writes her off as cynical and " cold " like the rest of society . Arthur Fleck inJokertakes his compulsion even further , hallucinating an entire relationshipwith a woman distinguish Sophie(Zazie Beetz ) who lives in his apartment building .

While the attack for both films are slenderly different , the motif remain the same . Both men are deeply disturbed individuals who project their penury for social fundamental interaction onto two unwitting woman - cleaning woman they feel are " unequaled " from everyone else . However , when those women are necessarily put off by Arthur and Travis ' lack of social awareness , they both finger as if their last connector to smart set at large has been break up .

Joker & Taxi Driver Play With The Audience’s Sensibilities

Although both moving-picture show research how their main characters view their own mental stability , they surprisingly diverge in the execution . DuringTaxi Driver , Travis has a moment of exposure , in which he entrust his violent and touch thoughts to his friend Wizard ( Peter Boyle ) , another hack number one wood . This shows the capability of ego - awareness within Travis , and even though Wizard lowball the extent of Travis ' problem , the interview view that   Travis does n’t want to give in to his psychosis . This allow viewers to translate and sympathize with Travis ' plight , as his down spiral is a tragic inevitability .

Related : Martin Scorsese : Must - See Movies From The Irishman Director

Joker , on the other hand , cater a sharp direct contrast . Despite Arthur ’s frequent attempts to search assistance from his healer , his mother , and his potential sire , Thomas Wayne , the motion picture builds his shift into Joker as a triumph , something to be accomplish . By theend ofJoker , Arthur rejects society ’s ethical motive and flavour in enactment of violence , becoming a retort - culture craze hero while standing on a elevator car , find the idolization of the clown - masked masses .

Taxi Driver Travis Bickle

In this way ,   audiences can sympathise with and understand Travis ' plight - he tried to resist his line of descent , after all -   but   Arthur force back witness with his elated and giddy embracement of misery and slaying . What is more , Travis ' possible decease ( interpretations on the picture show ’s ending vary ) adds another point of irony thatJokerlacks . If dead , Travis is seemingly punished for his violence , though his concluding thoughts regurgitate himself as the hero that society would never see him as .   WhileTaxi DriverandJokershare some distinct and purposeful commonalities , it ’s also evenly important to see the ways in which they differ , and how those differences   affect the way each film is received .

More : possibility : Arthur Fleck Was n’t The Real Joker

Joker Zazie Beetz Joaquin Phoenix Arthur Fleck Sophie Dumond

The camera rises above Travis Bickle (Robert De Niro) in Taxi Driver

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Taxi Driver