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Throughout the 1980s and even beyond , it was problematic to find a arrive at comedy that Harold Ramis did n’t have a credit somewhere on . The Second City alum was an player , director , but most notably a screenwriter . He write a number of films , almost always lick with a team of other successful comic of the metre , make for with the the like of Dan Akroyd , Bill Murray , John Belushi , and a embarrassment of gifted clowning writers like Doug Kenney , Danny Rubin , and Dan Goldberg , just to name a few .
By surrounding himself with talent , canvass comedy relentlessly , and possess a lifelike writing talent , Ramis helped craft some of the most iconic drollery of all - metre . Here are the ten in effect picture show he save , based on IMDB military rating .
Bedazzled (2000) - 6
One of the later Ramis motion picture to make the list , this Brendan Frasier star vehicle follow a nerdy IT worker as he is given seven wishes from Satan , which he employ to endeavor to woo the lady friend of his dreams . The movie is a remake of a 1967 moving-picture show with the same title .
The subject matter is strange , supernatural , even dark , but the movie still manages to be a quirky odd drollery . It ’s a prissy mix of tones that is well worth a sentinel , especially for all those Brendan fans out there .
Meatballs (1979) - 6.2
The first of what would be a fantastic campaign for the team of Ramis and comedian - actor Bill Murray . The film is a wacky summer camp pic , mostly driven by Murray ’s eccentric counsellor character causing bedlam and hijinks all over encampment .
It was cowritten , of line , by Len Blum and Dan Goldberg , the other two of a trio that would continue to partner well into the mid - eighties .
Back To School (1986) 6.6
Ramis wildly write three produced flick in 1986 , the best of which was the collaborative effort of him , Rodney Dangerfield , Dennis Snee , Greg Fields , and Will Porter . The strident funniness follow Dangerfield as he turn back to college to get his arcdegree and cause mischief and mayhem along the way .
It was distinctive Lampoon - style put-on , with a trust on Dangerfield ’s own improv and execution , which all paid off to make for a hit play .
Ghostbusters II (1989) - 6.6
The sequel to the most popularise clowning of all - time . No pressure . Ramis and Dan Akroyd penned the script and detect mild succeeder , with the subsequence following the same crew of buster we all know and love on a Modern , albeit less fun , escapade .
Chalk it up to belittle return , but the team could n’t quite rule the magic double . However , doing so was a grandiloquent ordination , and the film was in no direction a loser , making plenty at the box office and still being well - liked by most rooter of the first .
Analyze This (1999) - 6.7
cobalt - write and then direct by Ramis , this plastic film was his chance to work with two masters of their craft with Billy Crystal and Robert Deniro . The funniness follows a shrink as he learn that his number one client is a family boss , who just so happens to want to be " desexualise " in two weeks , or else .
It ’s validation that Ramis was n’t a production of a bygone geological era , and that he continued working at the high grade long after the select limelight was n’t on him and his friends any longer . It ’s also one of the rare directing endeavor by him , and a good one at that .
Stripes (1981) - 6.9
Another team effort with Dan Goldberg and this time with Len Blum , this Bill Murray led laugher about the military also have Ramis in a patronage part . The moving picture accompany Murray and Ramis after they join the war machine out of not much other than sodding boredom .
It ’s a hilarious take on rush inner circle movies and wield to ruffle in some decent irony with all the takeoff . It also pass on Murray his first expectant lead role , developing the devil may worry quick talker that he would become known for play in most of his photographic film .
Caddyshack (1980) - 7.3
Stripesgiving Murray his big lead a year later was due at least in some part to the small persona he had one yr earlier in an ensemble comedy calledCaddyshack . Featuring Chevy Chase and Rodney Dangerfield , as well as other recognisable talents of the prison term , Caddyshackhas become a massive cult classic hit comedy .
National Lampoon’s Animal House (1978) - 7.5
The one that started it all . The bash - hit comedy about debauchery at a college campus featured many of the skilful comic of its time , most notably a star - making execution from John Belushi . The film had a span of different creatives involved with the provision , but the core writing credits go to Ramis and Doug Kenney , one of the founders of the National Lampoon .
The jump of an unbelievable journey through flick for Ramis , which would at long last conduce to him having the Harold Ramis Film School created in his honor at Second City Chicago . The only motion picture school in the country with a centering on comedy .
Ghostbusters (1984) - 7.8
Easily the most impactful pic on the list , as it still subsist and breathes in pop culture today , nearly forty geezerhood later . The brainchild of Ramis and his eventual Colorado - star in the picture show Dan Akroyd , Ghostbusterswas the biggest funniness of all - time on its acquittance .
The bang about a squad of fast - witted scientist opening aghost - huntingcompany combined the cast ’s typical trade name of funniness with blockbuster scale action and brilliant iconography to create a motion-picture show so popular that nigh everyone recognizes something from it , even if they ’ve never seen it .
Groundhog Day (1993) - 8
At this breaker point in time , there was a full decade of test copy that Ramis and Murray were a dreaming - squad . There peak collaborative effort was the classic drollery about a narcissist weatherman that find himself bind in an endless loop in a small town he hates .
The film is brilliantly craft , with every line and character carrying exercising weight , meaning , or set - up for a late gag . WithGroundhog Day , Ramis , who even has a prompt cameo , cemented himself as not only one of the good comedy writers of all - time but one of the better pure screenwriters .
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