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First adapted in 1984 , there are now a banging tenChildren of the Cornfilms , despite almost all of them being boring enough to induce sleep . WhileStephen Kinghas written an ever - amplify good deal of horror stories , some long enough to be tell over multiple films , it ’s a bit confusing just how much of his forgetful work has also been adapted for the big filmdom . One such short storey ( clocking in at less than 50 pages ) to get the feature film handling wasChildren of the Corn , a selection from King’sNight Shiftcollection .
The repulsion genre is full of unlikely enfranchisement , butChildren of the Cornmight just be the most inexplicable this side ofAmityville . While somewhat extremely regarded today , Children of the Cornreceived negatively charged followup , and was scarcely a box office stunner , although its scurvy budget ensured a tidy enough profit . It ’s not really surprising all followingChildren of the Cornfilms live on direct to picture , but what is surprising is just how many have materialized over the year , especially since most of them bear zero connection to their predecessors , and do n’t seem to be favourite of anyone .
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Easily the biggest sin theChildren of the Cornfranchise commits though is being tedious . Both good movies and unsound picture show can be entertaining , but it ’s impossible to preserve a film that bores the witness for protracted periods . Most of theChildren of the Cornfilms are about as exciting as working in a clavus field .
How Children of the Corn Became Horror’s Most Boring Franchise
One affair that hangs like a sharp scythe over theChildren of the Cornmovies is an air of abject laziness . Outside ofChildren of the Corn 3 : Urban Harvest , which earned points with some for its over the top gore , gargantuan hold back - motion monster massacre , and interchange to a metropolis setting , virtually all theChildren of the Cornsequels follow the same recipe . Normal people stop up in or near Gatlin , Nebraska , the corn whisky cult does creepy things , then seek to belt down everyone , particularly the adults . This is usually done to stay a unfixed divinity named He Who Walks Behind the Rows .
The characters transfer , and so do some of the minute details , but for the part , nearly all theChildren of the Cornmovies are an exercise in repeating . Outside of weak , underdeveloped plots , theChildren of the Cornsequel scripts are populated by bland , mostly forgettable graphic symbol , which is especially shine when one considers that the lead ofChildren of the Corn 4is a youngNaomi Watts . The downcast budget of each moving picture are also quite seeming , and do as a constant monitor that these pic were thrown together on the cheap in guild to dwell the new release section at video stories , or for the more late moving picture , streaming services .
What ’s believably most perplexing of all is that understandably , theChildren of the Cornfilms have an audience . If they did n’t , Dimension Films would n’t have been steady pump out sequels since the former 1990s . Yet , unlike other direct to video franchise likeTremorsorPuppet Master , Children of the Cornreally does n’t seem to have any kind of visible fanbase . One could argue they ’re a shamed joy , but movies this tiresome and perfunctory are unbelievable to exhort pleasure , guilty or otherwise .
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