The Lion King
Disney ’s remake ofThe Lion Kingwas a ecumenical megahit and now it ’s uncommitted on home video , just in clip for the vacation , with all - young fillip features and music videos .
To play the animals of the African savannah to life inThe Lion King , directorJon Favreauand crew chit-chat Africa but also worked withDisney Parksand preservation . Orlando ’s Walt Disney World has an Animal Kingdom of its own where several of the amazing creature detect in the film can be seen by guests in real - life . Some of these creature were used for reference for the moving picture , and we utter to Jon Ross ( Disney ’s Animals in Film and TV ) and Claire Martin ( Disney Conservation Programs and Partnerships ) to discuss that partnership .
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In our audience we chat about the effects of Disney making more animal - base programing on conversation and the parks , what animate being should get their own moving picture next , and the technology behind land animals to life without have to in reality habituate real animals .
When a big animal characteristic like The Lion King comes around , are your teams always involved ? And if so , how do you get involved ?
Claire Martin : Yeah , I would say for us , from a preservation perspective , we look at all the forthcoming animal - focused films to really think about if there ’s a unequaled story or link that we can make to conservation efforts out in the wild .
We lie with that our stories pass on zillion of mass . If we can reach that consultation with great information about the species being feature , then we can make more of an impact .
The applied science on a project like this , fromJungle BooktoThe Lion King – it ’s so telling what they ’re able-bodied to do , bringing human constituent to animals and making them wait live - natural process . What are your thoughts on how the beast in this feature of speech are realized onscreen ?
Jon Ross : The animals in this moving-picture show looked incredible . Some of the most realistic beast I ’ve ever seen on screen that were n’t real .
Claire Martin : Yeah , it was thinker - blowing .
My other question is : when an animal feature like this becomes such a big striking around the world , do you mark a change in Edgar Guest stake ? For you guys , with conservation partner , for exercise . Does that change what the topic of discussion is ?
And Jon , for you : is there other related content and medium , like does Disney Nature want to do more hyena - free-base subject when something like this comes out and is a hit ?
Jon Ross : I do n’t know if there ’s … I reckon there ’s certainly a variety in interest , depending on what sort of characters are the whizz . I do n’t cognize if we ’re going to necessarily change our programming based on that , but that ’s a good question .
Claire Martin : I mean , I conceive there ’s constant submissions of what people cogitate unexampled Disney Nature film should be . And I retrieve when people get inspired by creature , like you see in The Lion King , we in all probability do see a peak in [ hoi polloi saying ] , “ Hey , you should make a movie about lions . ” Or about mierkat , in all likelihood , at this point .
What Can People Learn From Watching The Lion King?
How about for the buff and consumers , then ? What sort of substance do you desire they take away from being able to see a pic like this on the bragging sieve ?
Claire Martin : To your former motion , I think for us , as we thought about this picture , we tie the Lion King : Protect the Pride drive to it . We really want to apply this moment in time , and the millions of hoi polloi that love this story , to say something and to really talk about the fact that Lion are in trouble . We ’ve lost half the mankind ’s lions since the first film hail out .
But also , to inspire people and to give them Bob Hope . So that they can see that they in themselves can make a difference for the future of the species .
For a project like this , and I guessThe Jungle Bookbefore , so much oeuvre go into design these animals to make them pictorial ; animating them , and of form , all the process to make that happen . Are you desire to see that continue ? To see moreLion Kingcontent , whether it ’s a twist - off or a continuation or sharpen on certain animals ?
Jon Ross : This output presented a really unique opportunity to bring the filmmakers to the creature . The film maker expend about six calendar week here at Disney ’s Animal Kingdom , in and around fauna field , really focusing in on animals in their rude environment and animal ’ natural behavior . And I think that ’s really reflected in the pic . I think anytime you may bring production to the animals , it ’s a win - profits for the animals .
Claire Martin : And yes , we require every moving-picture show to have animate being in it . I mean , I think that ’s wholly selfish . I require all the films have fauna in it , and for us to be able to tell great stories about how people can save them .
My last motion is pertain to that . This is from my team . The animals presented in this film were a different stage set of beast than you saw inThe Jungle Book . If you could find fault an animal or animals to see in another big budget lineament like this , what would you personally like to see most ?
Jon Ross : I ’d bang to see some of the small wild cats . I screw lion and tigers , but there ’s a whole Earth of small cats out there in the wild that I retrieve are mayhap a little underappreciated and underrepresented in media . And they ’re some of the coolest fauna , I think , on the planet .
Claire Martin : I would say , mayhap to balance his solvent , something shipboard soldier . Like shark ; whale sharks and hammerhead sharks . They ’re just such interesting fauna , and I mean they get a real bad rap . So I think to , you eff , raise swell cognizance about how marvellous sharks are would be a terrific thing .
I like sharks ( note : I really do - see for yourself ! ) , but my personal answer would be Canadian beast . But I want to see all of them .
Claire Martin : I recollect that ’s a common petition for what people need to see in a moving-picture show .
smashing . Well , give thanks you both for your time , guy wire .
The Lion King (2019) Cast and Crew
“ The Lion King ” star Donald Glover ( “ Atlanta , ” “ Solo : A Star Wars Story ” ) as future king Simba , Beyoncé Knowles - Carter ( “ Dreamgirls , ” “ Lemonade ” visual album ) as Simba ’s friend - turned - passion - interest Nala , and James Earl Jones ( “ Rogue One : A Star Wars Story , ” “ Field of Dreams ” ) as Simba ’s wise and loving father , Mufasa , reprising his iconic operation from Disney ’s 1994 animated classic . Chiwetel Ejiofor ( “ 12 Years a Slave , ” Marvel Studios ’ “ Doctor Strange ” ) portrays Simba ’s villainous uncle Scar , and Alfre Woodard ( “ Juanita , ” Marvel ’s “ Luke Cage ” ) plays Simba ’s no - nonsense female parent , Sarabi . JD McCrary ( OWN ’s “ Tyler Perry ’s The Paynes , ” Apple ’s “ Vital Signs ” ) voices Young Simba , a convinced rookie who ca n’t wait to be king , and Shahadi Wright Joseph ( NBC ’s “ Hairspray Live ! ” Broadway ’s “ The Lion King ” ) bring elusive sonny boy Young Nala to life .
John Kani ( Marvel Studios ’ “ Black Panther , ” “ Coriolanus , ” Marvel Studios ’ “ Captain America : Civil War ” ) is the wise baboon Rafiki , and John Oliver ( HBO ’s “ Last Week Tonight with John Oliver , ” Comedy Central ’s “ The Daily Show with Jon Stewart ” ) was tapped as hornbill Zazu , Mufasa ’s loyal intimate . Seth Rogen ( “ Sausage Party , ” “ neighbour ” ) lends his comedic chop shot to naive warthog Pumbaa , and Billy Eichner ( “ Billy on the Street , ” FX ’s “ American Horror Story ” ) delivers the do it - it - all meerkat Timon . Scar ’s hyena allies admit Florence Kasumba ( Marvel Studios ’ “ Black Panther ” ) as Shenzi , Eric André ( Adult Swim ’s “ The Eric André Show , ” FXX ’s “ Man Seeking Woman ” ) as Azizi , and Keegan - Michael Key ( “ Predator , ” Netflix ’s “ supporter from College ” ) as Kamari .
“ The Lion King ” is directed by Jon Favreau ( “ The Jungle Book , ” Marvel Studios ’ “ Iron Man ” ) and produced by Jon Favreau , Jeffrey Silver ( “ Beauty and the Beast , ” “ boundary of Tomorrow ” ) and Karen Gilchrist ( “ The Jungle Book , ” “ Chef ” ) . Jeff Nathanson ( “ enamor Me If you’re able to , ” “ Pirates of the Caribbean : drained man Tell No Tales ” ) penned the screenplay free-base on the 1994 screenplay by Irene Mecchi , Jonathan Roberts and Linda Woolverton . Tom Peitzman ( co - producer “ Kong : Skull Island , ” “ Alice in Wonderland ” ) , Julie Taymor ( music director “ A Midsummer Night ’s Dream , ” Broadway ’s “ The Lion King ” ) and Thomas Schumacher ( “ The Lion King , ” “ Beauty and the Beast ” ) are executive producers , and John Bartnicki ( “ The Jungle Book , ” “ Chef ” ) is Colorado - producer . The award - winning team of artists tapped to bring the African savannah and its animal denizen to life includes optical effect supervisory program Robert Legato , who conceptualise the practical production on “ Avatar , ” come through Academy Awards for his oeuvre on “ The Jungle Book , ” “ Hugo ” and “ Titanic , ” and was nominated for an Oscar for his work on “ Apollo 13 , ” and Oscar - deliver the goods invigoration supervisor Andrew R. Jones ( “ The Jungle Book , ” “ Avatar , ” “ World War Z ” ) . MPC Film ’s VFX supervisor are Adam Valdez ( “ The Lord of the Rings : The Fellowship of the Ring , ” “ The Lord of the Rings : The Two Towers ” ) , who won an Oscar for his work on “ The Jungle Book , ” and Elliot Newman ( “ The Jungle Book , ” “ Fast & Furious : Supercharged ” ) . MPC Film was subservient in bringing each lineament to life and build the movie ’s full CG environments , as well as work out with movie maker to evolve the virtual yield technology .
Next : All The Live - Action Disney Remakes In Development
Disney’sThe Lion Kingis useable on Digital in HD and 4 super acid Ultra HD , and physically on 4 K Ultra HD , Blu - shaft of light and DVD .
