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Mike Flanagan ’s 2016 home invasion thriller , Hush , was a sleek , tense movie that pitted a indifferent adult female against a violent aggressor , but was it all in her head ?
InHush , Maddie Young ( Kate Siegel ) is a writer who lives in a remote cabin in the Wood with her cat and gather herself aside from society in decree to work on her next novel . Though she does have neighbors and some sentience of residential area - as well as a kinship with her sister - Maddie lives a rather lonely , though not distressed life from what is portrayed . Even though she is utterly open of living a normal , day - to - day life , she becomes a more vulnerable objective for her masked aggressor ( John Gallagher Jr ) because she is both deaf and tongueless . The film explains that this is due to bacterial infection that she suffered when she was young .
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Mike Flanagan is a cerebral filmmaker , and has gone on to have an incredible career in the horror distance , chip in a celluloid adaptation of Stephen King ’s follow - up novel toThe Shiningwith 2019’sDoctor Sleep . Flanagan has also won over horror television system consultation with another Netflix original series , The Haunting of Hill House , which was renewed for a 2nd season . While the film ’s ending does lead audiences satisfied with Maddie come through a hair-raising encounter , there are quite a few clue scattered throughout the photographic film that indicate that none of it actually materialize .
Why Maddie’s Attack Was Actually In Her Head (& Novel)
Not only is the fibre of Maddie Young a very interesting protagonist andfinal girlin that she has to outsmart her antagonist without being able to apply her audience or speech , but Flanagan cautiously craft a tale that thinks outside the corner of traditional home - invasion thrillers . Though it does travel along films likeThe Strangersin both pacing and tincture , the killer is a solo huntsman whose motivations are entirely unknown to the audience and stay on that way . After the killer whale dispatches her neighbor , Sarah ( Samathan Sloyan ) , Maddie forthwith goes into a fight response , though she tries first to dicker with the orca by promising him that she wo n’t say anything , even going as far as to show willingness to pretend that nothing - not even the slaying of her own booster - happened so as to get him to leave her alone .
While this seems suspect , it recalls a conversation she had with her neighbor earlier in the film when Sarah return one of the ledger Maddie had written after reading it , and the two mouth about her writing outgrowth . Maddie explains that she likes to devise different outcomes of scenario while she ’s write and even plans out multiple ending before choosing one that will make it into the Word of God . This is reflected during her conflict with the killer , because there are multiple trick scene where Maddie urinate a decision , something bad happens to her , and the shaft flashbulb back to her being in the same position where she initiate . It ’s almost like she ’s test each likely outcome , as she does in her novels , to live and thinking from every slant in society to determine her best way of making it out alive .
Though this is for certain a saucy room to attempt to hold up these sort of situations in horror movie , it could also be a clue . Since Maddie is presently working on a novel - and seeming to struggle with it - perhaps the intact situation is in her mind . This patch was latterly explore on popular CW series , Riverdale , whereJughead recruits his friendsto help oneself him stage " the perfect murder " . Could all the terrific outcome inHushreally just be the plot equipment of a very talented writer ? One of the moving-picture show ’s final shots is Maddie smiling when the police arrive ; though this could be as simple as an expression of relief , it could also mean that she found the ending she want for her novel .
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