Shutter Island
There have been mint of groovy movies to secrete in the 2010s , but quite a few moving picture either went below the radar or have perhaps been below the belt criticise , thus leading to a wide mountain range of underrated pic throughout the decade . Overall , the 2010s was a strong X for film , from blockbusters ( the plosion of the Marvel Cinematic Universe ) to indie ( the advance of independent studio apartment like A24 ) .
Of of course , the standard Oscar - lure fare was patter throughout , with every year give up something deserving discussing in great detail . The 2010s also led to the emanation of a new strain of actors and movie maker , some of whom encounter worthy attention and while others are still waiting for their limelight .
Related : The Best Movie Endings Of The Decade
But in the end , a salmagundi of pic tally the bad screen over the past 10 years . However , not all of those movies father the praise and realisation they deserved . Whether those film bomb to make a splash at the box office or did n’t strike the right chords with critics , there were plenty of hidden gems in the 2010s , films that were much better than their report .
15. The Dark Knight Rises (2012)
The Dark Knight Risesfaced an out of the question task : follow what was perhaps the greatest superhero movie of all clock time . The last chapter in Christopher Nolan ’s Batman trilogy was always go to be make to an impossible measure , released four year afterThe Dark Knightwon Oscars and became a ethnic phenomenon . Without the late Heath Ledger reprize his role as the Joker , some questioned what the third installment would have in store . Luckily , Tom Hardy was able to shoulder the load as Bane , adding another iconic villain to the dictionary . The film itself was thrilling , complex and visually stunning , and provide a satisfying decision for DC ’s PM photographic film dealership .
14. Upgrade (2018)
Those who did n’t seeUpgradecan be forgive - Blumhouse ’s cyberpunk action flick was shot on a simple $ 3 million budget , had a modified movie theater run , and counted the criminally underrated Logan Marshall - Green as its most marketable asterisk . In the picture , Marshall - Green is severely wounded and his wife is pour down after an attack . Using an AI implant that allows him to regain mastery over his soundbox , he vows revenge . Despite the minuscule budget , conductor Leigh Whannell ( who wrote many of theSawandInsidiousfilms ) created a visually arresting sci - fi universe , and orchestrated some genuinely thrilling action sequences . And if that ’s not enough , there ’s a Einstein - and some humor - behind all of the action .
13. The Voices (2014)
Ryan Reynolds plays a delusional , mentally unstable factory worker whose blab cat wants him to commit murder inThe Voices . Even though the motion picture receive mostly positive reviews and has an likable cast ( Anna Kendrick , Gemma Arterton , and Jacki Weaver carbon monoxide gas - wizard ) , director Marjane Satrapi ’s disastrous comedy repugnance film made a microscopical $ 5,000 during its limited opening weekend release . Some may have been turn off by its freakish premise and dingy undertones , but Reynolds give one of the best performance of his career , and the film is surely unique in way , content , and execution . It might not be for everybody , but there is a lot to wish .
12. Inherent Vice (2014)
Paul Thomas Anderson , the military man creditworthy for moving picture such asThere Will Be BloodandBoogie Nights , play his traditionally quirky flair toInherent Vice . An version of Thomas Pynchon ’s novel , the film follows Joaquin Phoenix as a pothead private detective who becomes embroiled in the criminal infernal region after his X - girl evaporate . It had all the elements of an awards time of year deary , include a top - billing support mold ( Josh Brolin , Owen Wilson , Reese Witherspoon , Benicio del Toro ) , but it wound up polarizing both critic and hearing , root for in $ 6 million less than its budget . Despite the 2.5 - hour length and the somewhat intriguing tale , Anderson ’s flick is still funny , attractively shoot , and an ultimately rewarding experience that deserve to be mentioned among his honest moving picture .
11. Sleeping With Other People (2015)
Before writer / theater director Leslye Headland scored a hit with the Netflix showRussian Doll , she produced a number of underrated celluloid , includingBachelorette , About Last Nightand especiallySleeping With Other hoi polloi . The rom - com stars Jason Sudeikis and Alison Brie as a pair of romantically troubled New Yorkers who , having each lose their virginity to each other in college , meet class later and become best friends while struggle to ignore their magnet to each other . The moving picture is systematically elevated by a sharp playscript and strong performance by the entire cast - not just the well - jibe track , but also notably Adam Scott as the photographic film ’s smarmy villain and the typically - hysterical Jason Mantzoukas as Sudeikis ' friend . It ’s believable , it undertake heavy subjects in a style many other rom - coms do n’t , and - most significantly - it ’s hilarious .
10. Interstellar (2014)
There was lots of hype behindInterstellar , a Christopher Nolan IMAX film released during Matthew McConaughey ’s career resurrection . And while it was a success with the box office and the Oscars ( Best Visual Effects recipient role ) , it did n’t strike the same chord with every cinemagoer or critic . Some accused Nolan of biting off more than he could chew with the themes and intellectual scope , and reception for the film seems to have go down over time . But the criticism might have amount from a combination of hoopla and Nolan simply go down too gamy of a criterion for himself . He has released so many great film that he is fundamentally judged through a different lens , but at its core , Interstellaris a electrifying , beautiful , gasbag - press sci - fi epic – well worth its nearly three - time of day runtime .
9. Locke (2013)
Lockeis essentially a one - man show , featuring 85 arcminute of Tom Hardy behind the wheel of a car talking to an mixed bag of other articulation ( including Olivia Colman , Andrew Scott , and Tom Holland ) . It needed a phenomenal performance from Hardy to transport it , and as luck would have it that ’s what it obtain . Hardy is magnetized throughout the entire film , so much so that it ’s easy to forget that the whole thing is essentially one long scene . view the conception and the mode it was film , it was never give way to be a huge hit - it made only $ 5 million at the box office ( against a budget of $ 2 million ) . But it ’s a singular story that challenges many preconceived notions of filmmaking , and it handle to think about as the experiment comes to life .
8. It Comes At Night (2017)
It come at Nightis one in a tenacious list of acclaimed horror motion-picture show released by independent film studio A24 , following a family ( Joel Edgerton and Carmen Ejogo ) that secludes themselves in the woodwind after a transmittable outbreak pass over out large parts of the satellite . However , unlikeThe WitchandHereditary , this film is subtle , slow - paced , and largely devoid of action , focus on background and character intrigue or else of pure panic . That ’s not to say it is n’t shivery , but its methodical nature sometimes leaves it out of the conversation when discussing sovereign repugnance striking .
7. Shutter Island (2010)
Shutter Islandis a nonaged entry in legendary filmmaker Martin Scorsese ’s filmography , and the adaptation of Dennis Lehane ’s novel is rarely mentioned among his upright film likeGoodfellasandTaxi Driver . But the Leonardo DiCaprio - helmed psychological thriller is wildly entertaining in its own right wing , with load of musical genre thrills . DiCaprio is a Union marshal attribute to look into an asylum for the reprehensively harebrained , and plot twists emerge once he is inside its walls . It benefits from an stupefying cast - let in Ben Kingsley and Mark Ruffalo - and has typically Scorsesean command of the screen throughout . It was also faithful enough to the book to please rooter , and did n’t miss its cinematic direction through the adaptation .
6. Blade Runner 2049 (2017)
One of the estimable plastic film in a very good year for them , Denis Villeneuve ’s sequel to the sci - fi classicBlade Runneris both a unassailable continuation of the original and a stunning young report that does n’t want prior viewing . Ryan Gosling is a " blade stolon , " a man sent to capture rogue replicants who live in fellowship as slaves , and Harrison Ford reprises his original persona as Rick Deckard . Despite having irrefutable critique , a make - in audience and a highly marketable cast , the film was a box federal agency dashing hopes , with judge red ink as mellow as $ 80 million . interview may have been turned off by the duration ( 163 minutes ) , but this motion picture is beautiful , thrilling , and thought process - provoking all at once . The runtime is n’t nearly as daunting when the substance is this engaging .
5. The Riot Club (2013)
A scintillating caustic remark on the extremist - elect dining club scene at the University of Oxford , The Riot Clubhits viewers over the head with its theme from the get go . It ’s an increasingly disturbing – yet darkly funny – take care at a group of untried men who get increasingly tangled up in a world of sex , drug , and violence at the prestigious university . The film is bound to leave a unfit taste in some viewers ' mouth , but for those who can stomach passing forged behavior from extremely rich Thomas Kid , it ’s both a enthralling fictional character study and a gripping story of privilege and surfeit . It is also boosted by a unattackable roll , which features British actors Sam Claflin , Max Irons , and Douglas Booth .
4. The Visit (2015)
M. Night Shyamalan had a approximate go of it throughout the 2000s and former 2010s . But while his 2017 filmSplitis normally considered his return to configuration , The Visit , released two years before , might be his best and most assured effort sinceSigns . A mix of found - footage horror and benighted comedy , the moving picture follow a teenage girl and her younger brother who chaffer their grandparent for the weekend , only to witness a series of increasingly flaky events . Released under the Blumhouse standard and made for only $ 5 million , Shyamalan pack on the panic , and manages to direct a unambiguously effective film that is far better and more self - mindful than may of his other crusade .
Related : How M. Night Shyamalan Revolutionized The Twist Ending
3. Popstar: Never Stop Never Stopping
A common take onPopstaris that it is the spiritual successor toThis is Spinal Tap . Which is eminent praise , butthe mockumentaryearns that compare , skewering the modern music industry through biting humor and famous person cameo . The film follows Andy Samberg as the fabricated knocker Conner4Real , and his Lonely Island bandmates Akiva Schaffer and Jorma Taccone portray his sidekick ( they also wrote and head the film as a team ) . audience may not have seen it – it was a box seat office staff bomb – but it deserves to be named among the best comedies of the decennium . The cinema is further boosted by its soundtrack , which punches up theLonely Island’sSNLformulafor some new laughable earworms ( " I ’m So Humble " and " Finest Girl ( The Bin Laden Song ) " are standouts ) and brings the camera along for their " live public presentation " a laSpinal Tap . On the comedy metre , this one goes to 11 .
2. A Most Violent Year (2014)
J.C. Chandor’sA Most Violent Yearstars Oscar Isaac as the head of a trucking fellowship in 1980s New York , fight to stay above water system as fierceness and corruption harry the diligence . The title would imply that the film is bloody and action mechanism - packed , but it ’s more of a deadening burn , a methodical quality written report that is all the same grainy and compelling throughout . Isaac is typically fantabulous in the main role , as is Jessica Chastain , who plays his wife . The film was for the most part shut out of the 2014 award circuit , save for a Best Supporting Actress nomination for Chastain at the Golden Globes , but merit mention among the year ’s best . It ’s an exercise in subtlety , showing how to make a dark , compelling crime play without having someone shot in the brain in every scene .
1. Enemy (2013)
Enemyis a fantastic film , a Rorschach test of an experience that offer something dissimilar upon each screening . Released by director Denis Villeneuve before his running game of Oscar - nominate film ( Sicario , Arrival , andBlade Runner2049),it follows Jake Gyllenhaal as a human race bore with his existence until he happen across his doppelgänger ( also play by Gyllenhaal ) in the backdrop of a movie . The narrative jets off in dotty directions from there . There is a bunch to take out in the motion-picture show , and multiple interpretations exist of the terminate – Villeneuve himself has been undefined when asked about what it all mean . It ’s provocative , curious , and riveting , managing to entertain as it works through its complex radical . Villeneuve brings his usual directorial flair to the film – slow - move camera shots , moody tones – and ties all of the bizarre game element together in a hypnotise visual package .
Next : Best Movies Of The Decade ( nominate for Zero Oscars )
