Related
It was recently announced thatParamount has lease Noah Hawley , the God Almighty of FX’sFargoandLegionand the director of this year’sLucy in the Sky , to save and place the nextStar Trekmovie , the fourth instalment in the rebooted franchise started byJ.J. Abrams ’ 2009 celluloid . This labor is reportedly separate fromthe radius - ratedStar Trekfilm that Paramount has been develop with Quentin Tarantinoand Mark L. Smith , the screenwriter behindThe Revenant . We stage 5 Reasons We ’re emotional For Noah Hawley ’s Take OnStar Trek(And 5 Why We ’re Still More Excited For Tarantino ’s ) .
Hawley: He can bring Legion’s focus on character to Star Trek
If there ’s one main understanding why Noah Hawley’sX - MenTV showLegionhas been much more successful than Fox’sX - Menmovies ( Loganand theDeadpoolfilms notwithstanding ) , it ’s that Hawley took the sentence to make us care about the graphic symbol in his show . TheStar Trekstories mete out with such majestic , thought - provoking concepts that they need strongly drawn type to keep them grounded . Hawley can bring the same focus to the arcs of Kirk , Uhura , and Spock that he ’s brought to David Haller inLegion(andmost of the case inFargo ’s three season , and any of Hawley ’s novel , for that matter ) .
Tarantino: It’s been described as “Pulp Fiction in space”
When Simon Pegg tell reporters that Quentin Tarantino’sStar Trekmovie would not be “ Pulp Fictionin space , ” Tarantino disputed this call and told reporters thatit would , in fact , be “ Pulp Fictionin space . ”Pulp Fictionhas unforgettable characters , an unconventional narrative structure , visual influence from almost every classical genre of cinema , and more shroud meanings than you may give the Vulcan nerve pinch to . If Tarantino is planning to bring all of that to theStar Trekuniverse , then it could be the movie that brings together what Martin Scorsese discover as “ cinema ” andthe “ theme green ” recording label that he gives to franchise movies .
Hawley: Fargo proved he can successfully recreate another artist’s vision
When a dealership has been created with such vivid visual modality as the fundament laid by Gene Roddenberry forStar Trek , the hard task for any subsequent creators brought on to bestow to that enfranchisement is retroflex that vision , while also giving it a sense of originality . It ’s virtually insufferable . J.J. Abrams and Rian Johnson are two incredibly gifted filmmaker , but in direct theirStar Warsfilms , they’ve failed to recapture the idiosyncratic magic that George Lucas put into the original flick . With TV’sFargo , Noah Hawley has assume the Coen Brother ’ apparent vision and successfully put his own spin on it .
Tarantino: He always does great character work
While Noah Hawley ’s characters might be psychologically rich and more relatable than Quentin Tarantino’s , Tarantino ’s are arguably more memorable . Characters like Jules Winnfield , the Bride , Django Freeman , and Col . Hans Landa have transfix audiences .
One of Tarantino ’s greatest military strength as a writer isfiguring out what makes a role check and just rolling with itwithout sticking to a rigid outline , and seeing where they terminate up . It ’ll be bewitching to see him fetch this to iconic , extravagantly run characters like James T. Kirk , Nyota Uhura , Spock , and “ Bones ” McCoy . guess one of those characters delivering an expletive - laden Tarantino soliloquy .
Hawley: His novels and TV work prove he can tell complex stories on a grand scale
The good and worst affair aboutStar Trek Beyondis that it feel like an episode of the sure-enough tv set show . The roll was break up by an incite incident and slowly brought back together during the 2nd act for a big showdown with the villain . This was honest , because the tone ofThe Original Serieswas missing fromInto Darkness , but also tough , because a feature film - distance movie needs to go above and beyond what can be done in an hour - tenacious TV sequence . Noah Hawley ’s literary work and television shows have proven that he can secern complicated stories on a magnanimous ordered series .
Tarantino: It’ll have a completely different tone than we’re used to
Whereas Noah Hawley will have no problem translate the look and feel of Gene Roddenberry ’s classicStar Trekstories to the big filmdom , Quentin Tarantino will do something entirely new with the concept all . Tarantino ’s style is defined by blend in a gang of influences together to create something new . He combinedLady Snowblood , Game of Death , Sergio Leone ’s Spaghetti Westerns , and the Shaw Brothers ’ kung fu classicsto create the unequalled style ofKill Bill . It ’s the apex of postmodernism . Tarantino will give us aStar Trekmovie like we ’ve never seen before , and not just because it ’ll have an R evaluation .
Hawley: It’ll be a true sequel to Star Trek Beyond
It ’s undecipherable exactly how Quentin Tarantino’sStar Trekmovie will fit into the wider franchise , becausethe director himself has said it ’ll be set in “ the Chris Pine timeline , ” but the motion picture has been established as a freestanding standalone task . Noah Hawley ’s fresh motion picture , on the other hand , is being develop as a genuine sequel toStar Trek Beyond , the once - mootedStar Trek 4.Beyondmight not have been to everyone ’s appreciation , but unlikeInto Darkness , it really felt likeStar Trek . It also put up some interesting storylines and established Sofia Boutella ’s Jaylah as an priceless novel member of the cast .
Tarantino: An R-rated Star Trek movie could be in the same league as Logan or Joker
Although some movie buffs will plain that his work is derivative , there ’s no deny that Quentin Tarantino is a howling director with a strong command of the filmmaking craftsmanship . If he makes aStar Trekmovie with an roentgen rating and his peculiar creative brand name , it could do for big - budget sci - fi spectacle what James Mangold’sLoganand Todd Phillips’Jokerdid for comic book moving picture . Tarantino is a two - fourth dimension Oscar achiever ( and five - fourth dimension nominee ) who never ring in a picture show — evenDeath Proof , by far the theater director ’s least popular cinema , contained 110 % of Tarantino ’s heart and soul — so it seems fair to have faith in his vision forStar Trek .
Excited for Hawley’s take: His work has always dealt with social themes
Ever since Gene Roddenberry set out toreflect the political sympathies and paranoia of the 1960s through a 23rd century setting , Star Trekstories have been about dealing with sociological and political subtext . Roddenberry used the endless possibilities of his fictional universe to explore very grounded fears . Noah Hawley has always explore sociopolitical motif in his work .
Legionis a survey of genial illness . The first season ofFargowas about the evil in all of us , the second time of year was about conflict incited by inadequate communication , and the third season was about the subjectivity of verity . He ’s a great burst for the sociological aspects ofStar Trek .
Tarantino: There’s always something to love in a Tarantino movie
Quentin Tarantino has never made a picture without at least some merit . His most democratic films —Pulp Fiction , Django Unchained , Kill Bill , Inglourious Basterds , etc . — are often ranked among the smashing movie ever made . But outside of those near - universally adored works , even Tarantino ’s least pop films have something to have it away in them . The Hateful Eighthas compelling performance andan unforgettable score by Ennio Morricone . Once Upon a Time in Hollywoodwas criticized for having too many filler scenes , but the filler scenes were mostly entertaining , and they contributed to the movie ’s thesis as a love life letter to ‘ 60s Hollywood . HisStar Trekmovie will doubtlessly be awe-inspiring , simply because he ’s at the helm .
NEXT : Star Trek : 5 Reasons Why Picard Is The good Captain ( And 5 reason Why It ’s Kirk )
