Related
Everyone know thatStarWarsfans scrutinize everything to do with the series , and this includes even the titles that accompany a motion-picture show . After all , these title cards are ordinarily the only clue fans have for month before a film ’s release , so they are used to gauge how the film will call on out .
In this list , we have not take into account the TV series , video secret plan based on the motion-picture show , or animated media inStar Wars ; only the mainline live - action movies have been test . You ’ll find there ’s more than meets the oculus with these title menu . Here they all are , ranked from least to most impressive .
Original Trilogy: Episode VI - Return Of The Jedi (1983)
The musical theme was that the windup motion-picture show in the trilogy would be the drab , butReturn of the Jedisurprisingly turned out to be oneof the funniest entriesin the series . For this reason , the title carte does n’t adequately reflect the film ’s nature .
The morose , maroon - comparable coloration of the title ( the coloring differs in some print ) makes it seem as if we ’re in for a tale that would be the hardest to find out , and even the baptistery of the rubric looks gloomy . However , the celebratory feel of the motion-picture show should ’ve gotten a burnished style .
Prequel Trilogy: Episode I - The Phantom Menace
It was in the prequel trilogy when the “ Episode ” prospect of the titles began being stressed in particular , as these serial of films had the word " Episode " front and center more so than the existent name of the specific film in interrogative .
The first one does n’t do much to stir interest , though , as the tinted color here is too dull to spark any real excitement , along with the “ Star Wars ” in the title being rather minuscule which , get ’s be fair , is the main attraction .
Prequel Trilogy: Episode II - Attack Of The Clones (2002)
The second film in the prequel trilogy improved upon the title notice of its precursor by bringing in more focus on the series name , which can be seen here in stark contrast with the caption of the film . The “ Episode ” lot too was reduced in size compared to the previous one .
However , there ’s still no escape how the title screen is still too dismal to be engaging , and this variety of presentation was also the cause why the prequels were rather maligned , as the charm behindStar Warsjust ca n’t be felt .
Sequel Trilogy: Episode VII - The Force Awakens
The late films brought the revamped interpretation of the main titles , start up fromThe Force Awakens , which also did away with the focus on “ Episode ” in the titles . A more space - y aspect was given to the title along with the notable mien of mavin .
While this was a cleaner approach that brought about a welcome change , the yellow font is something that does n’t make the screen seem as vibrant as one would go for . Sure , it gave off a scant looking that was n’t too serious , but it lacked that epic caliber one would want after the lengthy absenceStar Warshad experienced .
Prequel Trilogy: Episode III - Revenge Of The Sith
Here was when the series got the title right in the prequel trilogy , as this one was crisp and to the point . The “ Star Wars ” part was smaller , but it had a good line to the rest of the deed of conveyance to make it more prominent .
The other part of the title was n’t as huge as the previous ones , and the “ Episode ” share was kept shorter to put focus on the caption , which we have to admit is one of the very best in the serial . The mutant in the deed of conveyance colours was a ripe change too , as it did n’t seem as dark as before .
Anthology Series: Solo: A Star Wars Story (2018)
The welfare of the anthology serial is that the usual regulation do n’t need to be followed as far as presentation is concern , which meant thatSolohad a clear-cut look equate to the subsequence trilogy , despite being released around the same time .
This one was a callback to theEpisode Vas the tilt in the logo and the “ Star Wars ” portion accompany it below was around the same . reach this a proficient rubric menu was the fact that the background was utilize a still from the moving picture and was n’t contain of all - black .
Sequel Trilogy: Episode VIII - The Last Jedi (2017)
The motion-picture show hada lot of job in it , but there ’s no denying the title projection screen perfectly illustrates the paper of the movie . This one gives off a darker , exonerated outlook for the film , as just taking a glance of it cue you of Kylo Ren ’s lightsaber .
The title cement how this film is meant to be seen as a marriage between the morose side and the pull to the lightness that Kylo felt . as the space - atomic number 39 look is accompanied with the darker font .
Anthology Series: Rogue One: A Star Wars Story (2016)
There were several unlike designs forRogue One ’s championship carte , but this is easily the most creative the series has drop dead with any title we ’ve go out thus far . Here , a root from the moving-picture show is see in the title itself .
What seems to be either the perspective of the Death Star from Scarif , or the colour of the planet itself can be check peering from behind the title , bath the screen with a beautiful hue . The name tag , while being comparatively dry in presentation , did a in force job in communicating the downcast nature of the film .
Original Trilogy: Episode V - The Empire Strikes Back (1980)
Nothing cry “ retro ” as much as the claim ofThe Empire Strikes Back , which was a majuscule agency of highlighting how this would be aStar Warsfilm but would also carry a different flavor compared toA New Hope , and it can be seen with the title .
The disputation in the claim carries a sentiency of whimsy , but the coloured colouration of the font support that the rather jovial nature of the premature film would not be carried forwards here . The font itself is one that attests to the blank space opera aspect of the film .
Sequel Trilogy: Episode IX - The Rise Of Skywalker (2019)
naughty is definitely one of the best colors to go along with aStar Warstitle , andThe Rise of Skywalkerhas benefited from this , raising the hype level for the spectator by utilize this coloration scheme . It give off the tone of finality that ’s involved with the story and reminds you of Rey .
WithThe Last Jedimaking use of Kylo Ren ’s lightsaber , this one has the blue people of color to reflect the one maintain by Rey , a double-dyed admonisher that she is the booster of the sequel trilogy .
