Re-Animator
The repulsion biotic community , as well as movie as a whole , has a huge hole in it after the passing of Stuart Gordon . Gordon became a religious cult film director during the fourscore for a mickle of movies he made , normally working with Charles Band ’s Full Moon Pictures and Empire Pictures . He kept a brilliant squad , often working with Jeffrey Combs , Barabara Crampton , and working with fellow cult producer , writer , and director Brian Yuzna .
Gordon deserved the gifted team he lead with , consistently craft unequaled flick that always overthrew their reporting , bringing in new theme and new elbow room to border on onetime one . He is already painfully missed and will be for quite some time . In honor of the icon , here are ten of his most essential films , rank by their Rotten Tomato Score .
Fortress (1993) - 40%
While this list will eventually evolve into cult repulsion movie , it get down by acknowledging Gordon ’s fourth dimension in down - budget skill fiction . Gordon tackled a handful of campy sci - fi task , none of which were hit at their fourth dimension , but the first two here have grown cult followings in the time since .
Fortressfollows a still semi - relevant Christopher Lambert as he traverse a stylish totalistic future ( 2017 ) . The action is present , and the film ’s visuals are impressive despite being see , making it a squeamish piece of Gordon ’s varying filmography .
Robot Jox (1989) - 41% Audience Score
A weird enigma from Gordon , but a welcome one , is his low budget science fiction film about prizefighter that combat each other in jumbo mech suits . The moving-picture show is one of the tamer of Gordon ’s , sporting only a PG rating , and the whole matter is cheap in a nice fashion .
The end - move robot natural action and the campy playing of the pilots make the whole film an underrated religious cult photographic film that just has a comforting quality to it .
Edmond (2005) - 47%
One of the two films about seemingly normal men being pushed to majuscule violence by Gordon , with the other beingThe King of the Ants . While the other photographic film may be the more entertaining of the two , it lacks a Tomato Score and both flick are exchangeable for serving the task at hand , which is showcasing Gordon ’s interest in criminal offence and noir cinema .
A ego - proclaimed fan of crime movies , Gordon expend the last leg of his career mostly making them . Edmondis accommodate from a play and follow a man as he finally snaps , go away realness and peace of mind behind . William H. Macy give a fantastic execution and it is well the film on this listing most potential to make someone threefold - check the music director credit .
The Pit And The Pendulum (1991) - 56%
Despite successfully adapting two H.P. Lovecraft stories already , and doing another three before his vocation would end , Gordon took a geological fault and instead covered the other king of classic horror literature by slackly adapting Edgar Allen Poe ’s short story .
The film is a eldritch example of Gordon ’s , and his typical collaborator ' , versatility , as he and his usual stamp and producers drop the camp splatstick manner he was a master at and instead produce a dark , dim , gothic torturing film that will stick with you .
Dolls (1987) - 62%
A girl has to spend her summer with her abusive Church Father and malefic stepmother , but their cable car breaks down outside a creepy old mansion where two supernatural doll Lord just bump to be living . What follows is the Full Moon Pictures style of film performed at max potential difference .
Small cast , single localisation , and cheap practical effect - drive puppetry , not unlike the other Full Moon classicPuppet Master . The difference , however , is thatDollsabsolutely rule , not falling into the pitfall of tedium that many of the company ’s other films get trap in .
Castle Freak (1995) - 63%
free-base in part on H.P. Lovecraft’sThe Outsider , this schlocky sputtering picture follow a family as they inherit a glum rook that already has one angry resident . The deformed creatureof a man inside the castle yield to stalk and slaughter his mark , make up for a weird , flaming , camp , and somewhat shuddery cult slasher film .
The freak homecoming , in a new form , this summertime as a Fangoria - produced remaking will be liberate , directed by special effects expert Tate Steinsiek and produced by belly laugh world-beater and unconstipated Gordon collaborator Barbara Crampton .
Dagon (2001) - 67%
Proof that after the prime of his calling , neither Gordon ’s natural endowment for direct nor his erotic love and sympathy of Lovecraftian horror had wan . This horrific tale , based on multiple whole works by Lovecraft , separate the storey of a diminished fishing village that is secretly hiding a disconsolate and powerful secret .
The core are great despite the movie being a lower budgeted endeavor , and the standard atmosphere of the film is top - notch , creating a terrifying world that draw out you in , no matter how hard you attempt to resist .
Honey, I Shrunk The Kids (1986) - 75%
While he did n’t conduct , Gordon co - wrote the overhead hit house sci - fi plastic film about a quirky scientist that accidentally shrivel his children to insect size of it with his friend and longtime horror pardner Brian Yuzna . It ’s an essential firearm of Gordon ’s career because his filmmaking , when boil down , is all about not doing the same thing doubly .
As another example of Gordon ’s many-sided career , it is interesting to think about a version of the cinema directed by Gordon or Yuzna . Would the worm terror have been even more extreme ? Would Jeffrey Combs had play the iconic function that go toRick Moranis ? Probably .
From Beyond (1986) - 75%
With this cult classic horror , Gordon deal on a challenge that many movie maker have failed and essay to adapt Lovecraft ’s dash of vague , ultra - brawny , cosmic horror . The result is a plastic film that is not just essential to Gordon ’s filmography , but substantive to all of horror .
The eldritch , grotesque , story of scientists bringing existence from outside our property to Earth influenced the genre in more way than one , most notably with its color palette and body transformation .
Re-Animator (1985) - 93%
Gordon ’s masterpiece of splatter comedy follows Jeffrey Combs ' unbelievable performance as an bizarre medical school student as he recrudesce a serum that can re - animate dead tissue , and eventually , bring a dead cadaver back to spirit .
There ’s very small to say about the moving picture that many more enlightened writers have n’t written over and over , but I will say that the movie is a perfect object lesson of tonal shifting that does n’t feel abnormal and that the blend of genres is ever - present , creating an unbelievably unique film that we should all be learn flop now instead of reading about it .
NEXT : Frankenstein : 10 Movies With An Original Twist On The Horror Classic
