As the decade comes to an ending , critics and movie devotee everywhere are spending a hell of a lot of time write their listing of the best and worst of the preceding ten year . The arguments will go on well into 2020 , but for now it ’s time to take a look back at some of the weirder and more WTF movie moments of the decade .

The 2010scertainly were n’t short of foreign film or moments that made you go wide - eyed with confusion , be it in esoteric indie films or some of the era ’s biggest blockbusters . Even as moviemaking got super secure on the enceinte - budget studio apartment grade , hazard were taken and some theatre director were n’t afraid to get A-one weird .

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In a dusty landscape Finn stares out into the distance in Star Wars: The Force Awakens

We could have fill up out this list entirely with experimental indie movies that truly tug the boundaries but did n’t find a monumental audience , but we also wanted to account for some of the   most bizarre   moments that somehow made it into the mainstream . These are the weirdest movie moments of the 2010s .

The Spider in Enemy

Denis Villeneuve ’s adaptation of José Saramago ’s novelThe DoublefeaturedJake Gyllenhaalin the two-fold role of two men with personalities as different as their appearances are like . Adam , a account prof in Toronto , lives a relatively quotidian life until he spot an actor in a rental movie who expect just like him , post him on an obsessive journey to detect out more about him . His doppelganger , Anthony , seems to have his life together in a way Adam does n’t and it drive him mad . spider are a recurring motif throughoutEnemy , primarily inspired by the Maman sculpture by Louise Bourgeois . Even if you get what the metaphor is hint at , nothing prepares you for the film ’s flood tide and the room - sized tarantula that Adam see . You instinctively jump out of your seat at the sight before wonder what the hell just happened . It ’s a suitably unnerving ending to a mind - bender of a flick .

Venom is Like a Turd in the Wind

Venomwasn’t on the button a hotly hyped pic when it premiere in field of operations in 2018 . The merchandising hunting expedition had been confusing and mussy , the PG-13 paygrade disappointed fans who were promise a more grownup pic , and not a unmarried person alive run across the trailer with Venom say the line “ like a shit in the wind ” and did n’t laugh . It seemed like a bust - in - wait for Sony Pictures , but then people run into it and many were surprisingly won over by its flakey whole tone that cut between self - serious drama , romantic comedy , and Chaplin - style slapstick . Tom Hardy gives a fully committed carrying into action that drags the movie forward through downright effort , and Eddie Brock and Venom ’s uncanny semi - flirtatious interpersonal chemistry made for a remarkably enjoyable experience . Shockingly , the“like a turd in the wind ” moment figure out better in circumstance once you rememberVenomis a self - confessed loser and you ’ve already figure Brock take a drop in a restaurant ’s lobster storage tank . Here ’s hope that theatre director Andy Serkis increases the mayhem forVenom 2 .

Everything in The Lure

The 2010s for sure were n’t poor of a weird flick or two if you knew where to look for them , and this decade Poland gifted us with one of especially trippy quality . The Lure , the 2015 debut of theatre director Agnieszka Smoczyńska is a feminist repugnance synth - musical feature killer mermaids . What more could you ask for ? broadly speaking adapted from Hans Christian Andersen ’s iconic fairy - taleThe Little Mermaid , The Lurecouldn’t be any more dissimilar from the Disney version . This one is violent , sexy , crude , and deeply aware of how misogynist the source stuff is , depicting two mermaid baby who are look at in by a jerry-built Polish nightclub human action and become objects of peculiarity and luxuria for the humans who devote to watch them babble . One gentleman light in love with one of the sisters , but her lack of human genital organ proves to be a slight problem , and the journeying the film contain with this story reveals the brutality of sexism at its most primal degree . The end result is one of the weirdest and most recommended movies of the decade .

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Sexy Fish-Man Sex in The Shape of Water

When Guillermo del Toro pull ahead the Oscar for Best Picture withThe Shape of Water , many critic decried the movie as a dependable choice from Academy voters . That seems like such a foreign sack to make about a Cold War - epoch fancy romance where a mute cleaning woman gets it on with a fish - man . Del Toro sleep together his monsters and he often makes certain his human characters do too , in more elbow room than one . While the movie does n’t show the sex , it has no qualms about letting the consultation know that the fish - homo and Sally Hawkins ’s Eliza had a very satisfying time . In one moment , Eliza present her upright friend how a fish - man even has the equipment to copulate successfully with a human woman , and it ’s a candid minute of such unexpected delight that even the most candid - given viewer were a little dismayed .

The End of mother!

DirectorDarren Aronofskyhas never been one to take the easy way with his flick . His employment is often measuredly unmanageable to sit down through , whether it ’s the protagonist ’s extraction into spiritual madness inPior the brutal event of drug dependance as see through the admirer ofRequiem for a Dream . From the curious grammar of the title to the evocative but extremely sibylline ad military campaign , it seemed thatmother!would be more of the same . Audiences either love the motion picture or loathed it , with the picture famously receiving the notorious F military rating from Cinemascore . Even for those who loved the elusive - as - a - brick allegorical play , it was n’t toilsome to see why . In its rather full - on retelling of the Book of Genesis , couple on with a no - holds - barred fable for the abuse humanity has impose upon Mother Earth , mother!climaxes with a gang rip apart and consuming Jennifer Lawrence ’s babe . It ’s not the most fine constructed metaphor but it certainly got the caper done for those who could support it .

The Human Bear in Annihilation

We may never get a proper Lovecraft adaptation from a major American studio but Paramount and director Alex Garland certainly came the closest to capture the revulsion icon ’s cosmic panic withAnnihilation . Loosely adapted from the novel of the same name by Jeff VanderMeer , the sci - fi dramatic event follow five women , led by Natalie Portman , as they traverse over into " the Shimmer " , a quarantine zone of southern Florida immersed in the metamorphosing bondage of an unknown alien force . The Shimmer mutates every live thing in its course , from flora to wildlife to homo , and as the women get tight to its center , the more perturbing sights they see . The one that unnerve us the most was the bear , which had mutate partly with the dying geomorphologist Cassie " Cass " Sheppard . discover pained Cass ’s cries for assistance from the body of a mutating bear is a interference that obsess many of our nightmares .

The Rise of Yorgos Lanthimos

Some directors are just not built for the mainstream . There are some movie maker who are exceptionally gifted and merit the public eye but seem designed to stay strictly independent . Nobody expect the Greek auteur Yorgos Lanthimos to break out as he did , becoming an Oscar candidate for Best Director after make the electric switch to English linguistic communication dramas . The one - two - three clout ofThe Lobster , The Killing of a Sacred Deer , andThe Favouriterevealed Lanthimos to be a committed visionary who could make his highly specific trend - off-white - teetotal humor , confounding in plotting , intemperately reliant on a portmanteau of mundane and eccentric – toothsome for encompassing audiences without ever diluting his intent . This is the director who made a satire about family relationship wherein people who are n’t in one get turned into the animate being of their choice , and ecumenical audiences went to see it ! It ’s thanks to director like Lanthimos that the industry seems ever - so - somewhat more willing to take risks on on the face of it insecure stories .

The Twist in Sorry To Bother You

Boots Riley made one Scheol of a splash with his directorial launching , giving the satiricaldrama Sorry To Bother Youan unabashed political force that address loudly against the kind of issues that Hollywood typically try on to avoid . The absurdist dark comedy took on the crushing reality of forward-looking capitalism and the unavoidable apprehension of this organisation we are all ram to work under , but or else of stimulate a dreary play about it , Sorry To Bother Youis delightfully bonkers and utilise fantastical jumps to fully convey the repugnance of being crushed under an political theory that is constantly positioned as the pipe dream . Basically everything aboutSorry To Bother Youis delightfully eldritch , from the habit of " white voice " from the grim actor to the surreal ways telemarketing is visualized to the sheer amount of cocain Armie Hammer ’s character snorts . For plain WTF power , however , we have to go with the moment the film reveals how its central malevolent corporation plans to further disgrace its workers . A half - man half - horse creature is unveil and explain as the new phylogenesis for keeping workers teachable and stronger for perpetual labor . It ’s silly but terrifyingly real in its subject matter , which only makes its weirdness even more unnerving .

The Arm and Eyeball of The Cloverfield Paradox

The Cloverfield Paradoxwasn’t as interesting or well - remember as its predecessors and will probably be recognized more in the future for its unconventional dismissal , as Netflix picked up the celluloid from Paramount then overleap it after the Super Bowl . There were still a few physical structure horror bit that made us wonder what the filmmakers were going from . The sci - fi horror followed an international chemical group of astronauts aboard a space station who , after using a particle particle accelerator to strain and clear Earth ’s energy crisis , are accidentally sent to an alternate dimension . In one scene , a character ’s eyeballs commence moving of their own accord and he part talking to himself in the mirror . Another eccentric loses his branch and it then starts make a motion around and trying to intercommunicate with them . This could have been done in a scarey way - check out The matter for the ultimate limning of consistence revulsion - butThe Cloverfield Paradoxis oddly slapdash in its efforts and it mostly comes across as weak attempt at clowning without any laughs . The rest of the film is also sadly not weird enough to warrant such a strange minute . Chalk this one up as a break down experimentation that Netflix rightly dumped in a blaze of publicity , never to be heard from again .

All of Uncle Boonmee Who Can Recall His Past Lives

In 2010 , Apichatpong Weerasethakul , known colloquially as Joe , became the first Thai filmmaker to come through the prestigious Palme d’Or at theCannes Film Festivalwith the deeply unique dramaUncle Boonmee Who Can Recall His Past Lives . The film centers on the last days in the life of its championship character as he explores his preceding lives with his loved ones , let in the spirit of his late wife and his missed boy who has returned in spirit chassis . Sukhdev Sandhu ofThe Daily Telegraphdescribed Uncle Boonmee as"barely a film ; more a blow world",which is highly apt . Its compounding of cinematic style and literary genre makes for one of the 2010s ' most enigmatical and beautiful explorations of death committed to the enceinte projection screen . Long endure the Wyrd .

Rubber: The Movie About a Killer Tire

We could simply save the plot description forRubberhere and that would be enough to explicate its placement on our list . Yes , this is a movie about a killer tire . Gallic director Quentin Dupieux , also known as the DJ and instrumentalist Mr. Oizo , devote to this bonkers patch wherein a tire name Robert suddenly comes to life somewhere in the California desert . After learning to wander forward and crush detail , Robert discovers he has psychokinetic powers and can make things - and living existence - explode . Rubberis halfway between a trashy B - motion picture and an introspective artistic production piece , but for sheer creativeness alone , it ’s worth your time .

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Weirdest Movie Moments 2010s

Jake Gyllenhaal in Enemy

Tom Hardy in a lobster tank in Venom

The Lure

Sally Hawkins as Elisa and Doug Jones as the amphibian man embracing in The Shape of Water

Jennifer Lawrence in mother

Natalie Portman faces a monster in Annihilation

Yorgos Lanthimos

Sorry to Bother You Lakeith Stanfield Armie Hammer

Cloverfield Paradox Severed Arm

Uncle Boonmee

rubber

Movies

Venom