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Movies tend to be a mixed bag in any given yr , but over a decade ago,2009 revulsion moviesbrought some secure title , resulting in the ' 00s going out on a high note .
In 2020 , so far there have been some low - earning releases , and the tail end of 2019 was very much the same way , churning out poorly received titles that tried to capitalize off major horror franchises , such asBlack Christmas , but falling short . The former months of 2020 brought a remaking ofThe Grudge , a modernistic version of Henry James’The Turn of the ScrewwithThe Turning , a Lovecraftian demon motion-picture show withUnderwater , and a distaff - centric adaptation of a Grimm fairy tale withGretel & Hansel . Blumhouse figure another low - rate teen slasher , Fantasy Island , sink to the bottom of the heap as well . ThoughUnderwaterandGretel & Hanselhave been better received than the others , many expect Leigh Whannell , who worked alongside James Wan on theSawmovies before blaze away his own trail , will economize the day with his reboot of the classical Universal giant , The Invisible Man .
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Not every pic to get out in 2009 was a chef-d’oeuvre , but in any give year - peculiarly in mainstream - revulsion incline to see a dozen standouts on a good year . Independent repugnance has been significantly on the raise in the last decade , total to these sum , and the quality of the writing style has risen beyond the resurrection of the same seven or eight horror franchises ad infinitum . Yet , looking back at 2009 , there ’s a broad variety to sample from : remakes , franchise good continuation , the dayspring of a sub - writing style that just keeps getting better , and quickly established furor classics from the main aspect .
Why 2009 Was A Great Year For Horror Movies
Though it ’s quite the throwback to remember about eleven years ago , 2009 set the barroom highly high with its choice to bring back a repulsion ikon , Jason Voorhees , with the remake ofFriday the 13thin February . While the remake was n’t a knock - out success , many fans thought it institute a unique angle to the classic news report by stool a more survivalist Jason who was unnerving , albeithad a weird twistregarding his modus operandi . March brought another remake , this time of Wes Craven’sLast House on the Left , which ab initio earned the music director a smirch on Britain ’s notorious " video nasties " list . Sam Raimi , ofThe Evil Deadfame developed revulsion and comedy withDrag Me To Hell , whichmany hoped would get a sequel , but probably wo n’t .
Cult classics and new franchise originated in mid 2009 with Tom Six ’s firstThe Human Centipede , which brought gross - out revulsion to eager interview . Another more extreme repugnance claim , Lars Von Trier’sAntichristcame soon after . Less disturbing , but sure enough memorable as it sparked an entire indie slasher franchise , The Collector , released in July 2009 - word of a third picture show was announced in 2019.Orphan , which starredThe Conjuring’sVera Farmiga , was another sleeper smash and recently announced to be draw a prequel for its baddie , titledEstherfrom the conductor ofBrahms : The Boy 2 .
Other major horror franchises includingSawandFinal Destinationsaw raw installments in 2009 , which invigorated their special fan base . But most of 2009 ’s charm happened with smaller , sleeper bang that have become more democratic in late years , such as Vincenzo Natali’sSpliceand Karyn Kusama’sJennifer ’s Body , which star Megan Fox and Amanda Seyfried . Likely the biggest hits for 2009 horrorwereParanormal Activity , which launched a monolithic , humiliated - budget franchise and assist make Blumhouse a menage name and the firstZombielandmovie . The latter at last pay off a continuation a full decennary later . Truly,2009 horror moviesdelivered something for every sports fan , and was a bright spot for genre fans .
Next : Horror Movies Are n’t Dead In 2020 Just Yet
