Leprechaun
TheLeprechaunmovies have always reside a unknown place within the horror genre , but perhaps none of the slasher franchise ’s entries are as infamous asLeprechaun in the Hood . After Warwick Davis ' signature magical killerhad hunted Jennifer Aniston , chatter the casinos of Las Vegas , and trip to space , producers decide to cash in in on the recent wave of blaxploitation - influenced film of the 1990s and take the Leprechaun to the inner city . The answer was what critics and audience decide was a goofy , offensive interpretation of an already ridiculous concept , whose premise did not seem nearly as ingenious since it came out in 2000 , when the ten was already over .
Leprechaunentered the slasher setting at an inopportune percentage point in the subgenre ’s story . By the time the first film issue in 1993 , slasher had become a express joy stock certificate , with antecedently fear icon likeFreddy Krueger and Jason Voorheessuffering maligned portrayals of their character in recent films . Screamwould finally freshen the construct of a masked orca in 1996 , the same yearLeprechaun 4 : In Spacewas put out , but this was due to Wes Craven ’s ego - aware classic jab fun at the genre ’s figure of speech . In a way , theLeprechaun filmswere doomed to nonstarter from the beginning .
Related : Leprechaun ’s Origin & Powers Explained
However , Warwick Davis ' outlandish and comedic performance let the franchise to pick up a cult following as house TV discharge despite the original ’s vital loser . Davis and the balance of the filmmakers involved in the franchise steadily embraced the comedic whole tone as the films became more ridiculous . After the titular Leprechaun went to the terminal frontier , though , it seemed as if there was nowhere else left to terrorize . That is , until , the popularity of hip - hop and a hike in film dealing with the disastrous urban experience lead to the creation ofLeprechaun in the Hood .
Why Leprechaun In the Hood is Disliked
Like other films of its era , Leprechaun in the Hoodtakes labored influence from " blaxploitation , " the fad genre dealing with urban African - American issues that emerged in the racially turbulent 1970s . However , while grim film producer like Spike Lee and John Singleton criticized the cinematic portrayal of black urban impoverishment , Leprechaunparodied these elements in an ungainly style . He stabs one of his victims with an afro pic , smokes a joint rolled with four - folio clover , and in perhaps what is the pic ’s most infamous scenery , do a whang number at the end .
Such trick may not total as a surprise in a film with a premiss like this , but critic steer out the want of smartness in the funniness . There was seemingly no reverence for either blaxploitation or the revulsion genre , with cartoonish type and too dizzy dialogue mix with cheap - look product economic value exemplifying the movie ’s incompetency . The Spike Lee - producedTales from the Hood , which was released in 1995 , also took a horror - comedy approach to disastrous outlet , but include explicit social commentary written and direct by African - American filmmaker . Leprechaun in the Hood , on the other hand , came across as more exploitative and downright lazy .
Still , the pic does have its sports fan . Some find the unmingled stupidity in the writing to beoutrageously odd , allowing the film to cover over into " so big it ’s good " territory . This can probably be said of the other entrance within the franchise , butLeprechaun In the Hoodis special in its overt datedness . Despite the harsh criticism , the picture ’s chase was firm enough to warrant a sequel inLeprechaun : Back 2 tha Hood , featuring more gold , guns , and marijuana , and which was the lastLeprechaunfilmWarwick Davis starred in before retiringfrom the series .
Next : Why The Candyman & Leprechaun Crossover Movie Did n’t Happen
